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  1. The astonishingly precise pictures they saw were the work of Louis-Jacques-Mandé Daguerre (1787–1851), a Romantic painter and printmaker most famous until then as the proprietor of the Diorama, a popular Parisian spectacle featuring theatrical painting and lighting effects.

  2. Jan 30, 2020 · Louis Daguerre (November 18, 1787–July 10, 1851) was the inventor of the daguerreotype, the first form of modern photography. A professional scene painter for the opera with an interest in lighting effects, Daguerre began experimenting with the effects of light upon translucent paintings in the 1820s. He became known as one of the fathers of ...

  3. History of photography - Daguerreotype, Camera Obscura, Light Sensitivity: Louis-Jacques-Mandé Daguerre was a professional scene painter for the theatre. Between 1822 and 1839 he was coproprietor of the Diorama in Paris, an auditorium in which he and his partner Charles-Marie Bouton displayed immense paintings, 45.5 by 71.5 feet (14 by 22 ...

  4. Louis-Jacques-Mandé Daguerre ( də-GAIR, French: [lwi ʒɑk mɑ̃de daɡɛʁ]; 18 November 1787 – 10 July 1851) was a French artist and photographer, recognized for his invention of the eponymous daguerreotype process of photography. He became known as one of the fathers of photography.

  5. 1789-1851. About. Louis Jacques Mande-Daguerre met the quest for the technology to record an image. The invention of the daguerreotype brought the possibility of preserving a period, the memory of a place, or the faces of a family. Louis Jacques Mande-Daguerre, artist and inventor, was born November 18, 1789 in Cormeilles-en-France.

  6. Apr 2, 2024 · Apr. 20, 2024, 12:39 AM ET (Newsweek) Past 'That Seemed Lost Forever' Revealed As 200-Year-Old Photos Revived. daguerreotype, first successful form of photography, named for Louis-Jacques-Mandé Daguerre of France, who invented the technique in collaboration with Nicéphore Niépce in the 1830s.

  7. Like many of the founding inventors of photography, Daguerrea Parisian theatrical scene-painter/designer and showman—saw this new medium as part-art, part-science.

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