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- Hold Up A Light
- Once You’Ve Tasted Love
- Love Love
- Wooden Boat
- Pretty Things
- Giants
- When We Were Young
- A Million Love Songs
- Sure
- The Flood
An overlooked single from The Circus, Hold Up a Light transcends its slightly hokey desire to provoke live audiences to, well, hold up a light, thanks to Mark Owen’s slightly doleful vocal, a lovely string arrangement and an unexpected burst of Queen-y double-tracked guitar.
Understandably overshadowed by their later hits – including the disco cover versions It Only Takes a Minute, Could It Be Magic and Relight My Fire, not included in this list of original compositions – Take That’s second single is both a great little song and a charming period-piece snapshot of early 90s British pop. The bleeping analogue synths and...
Take That were never weirder than on Progressed, the EP of offcuts appended to their 2010 album Progress. The Stuart Price-produced Love Love is appealingly off the wall – squelching synthesisers, a bizarrely stentorian Gary Barlow vocal, an octave leaping chorus. It’s clearly not what most Take That fans buy their records expecting to hear, which ...
With the best will in the world, Take That are no one’s idea of a great albums band, but, just occasionally, something worth salvaging slips into the bits between the hits. So it is with the beautiful, acoustic Wooden Boat, which sounds oddly like the Lilac Time, the folk-rock band fronted by Robbie Williams’s solo collaborator Stephen Duffy.
Progress – which saw Robbie Williams temporarily return to the fold – is, by some distance, Take That’s best album: surprisingly experimental, devoid of their trademark big ballads. Pretty Things is a low-key highlight: subtle electropop, over which Williams self-deprecatingly ruminates on ageing, marriage and the loss of youthful charm.
Since the departure of Jason Orange and Williams, Take That’s releases have tended towards the serviceable rather than the spectacular, an excuse to tour rather than an end in themselves. That said, they are sometimes better than you might expect, as demonstrated by Giants, a slice of super-hooky, thoroughly modern arena-ready pop.
The re-formed Take That were never afraid to tug at their long-term fans’ heartstrings by writing about the band’s tumultuous past. Which brings us to the prosaically titled When We Were Young, an affecting giant-chorused song with a distinctly Abba-esque melody. “We were the foolish, fearless … We didn’t know it wouldn’t last.”
The first sign that Barlow had ambitions beyond fleeting pop fame, A Million Love Songs was written when he was 15. It’s audibly influenced by Elton John – the Elton of the mid-80s, rather than the 70s – but tricked out with Mellow Magic sax and vaguely doo-wop-ish backing vocals.
One of those No 1s people seem to have forgotten was a No 1 – and swiftly overshadowed by its follow-up, Back For Good – Sure was Take That’s last single in pop-R&B mode. It’s a sweet example of type, although Q magazine’s 2003 suggestion that it was the second greatest pop single ever made is pushing it a bit.
Williams’s return to Take That was announced in pitch-perfect style with portentous verses, singalong chorus and lyrics that commented on the improbability of their reunion – “They said we’d never dance again”. There was also a hint of promo for the forthcoming tour stirred in: “We will meet you where the lights are.”
- 4 min
- Alexis Petridis
Billy Griffin & Ian Levine. Aug. 17, 1992 1 viewer 6.6K views. 7 Contributors. A Million Love Songs Lyrics. Put your head against my life. What do you hear? A million words just trying to make....
Oct 16, 2019 · Take That - A Million Love Songs (Official Music Video) The song peaked at number 7 in the UK, equalling the band's then-highest charting single (with 'It Only Takes a Minute'). It has sold at least 200,000 copies since its release. Who has covered it? The X Factor UK 2012, Season 9, Bootcamp 2, James Arthur, Leanne Robinson, Adam Burridge.
"Love Love" is a single by English pop group Take That from the band's first EP, Progressed. The song features Gary Barlow and Mark Owen on lead vocals. It was released in the United Kingdom as a digital download on 11 May 2011. The song was featured in the end credits of the 2011 film X-Men: First Class.
