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  1. Luchino Visconti

    Luchino Visconti

    Italian theatre, opera and cinema director

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  1. Honours. Civil Order of Savoy. Luchino Visconti di Modrone, Count of Lonate Pozzolo ( Italian: [luˈkiːno viˈskonti di moˈdroːne]; 2 November 1906 – 17 March 1976) was an Italian filmmaker, theatre and opera director, and screenwriter. He was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics ...

  2. Luchino Visconti. Writer: The Leopard. Born in his ancestral palazzo, situated in the same Milanese square as both the opera house La Scala and the Milan Cathedral, Luchino Visconti (1906 - 1976) was raised under the auspices of aristocratic privilege, theater and Catholicism.

  3. Jun 7, 2018 · Among the Italian filmmakers who achieved international prominence in the decades after World War II, Luchino Visconti possessed perhaps the sharpest historical insight and the keenest literary...

  4. Apr 15, 2024 · Luchino Visconti (born Nov. 2, 1906, Milan—died March 17, 1976, Rome) was an Italian motion-picture director whose realistic treatment of individuals caught in the conflicts of modern society contributed significantly to the post-World War II revolution in Italian filmmaking and earned him the title of father of Neorealism.

  5. Oct 8, 2015 · The purest expression of the neo-realist side of Viscontis dualism (though it grew out of a desire to adapt the novel on which it is now only very loosely based), the strikingly beautiful ...

  6. May 23, 2018 · Visconti, Luchino (1906–76) Italian film director, b. Count Don Luchino Visconti di Modrone. His debut film, Ossessione (1942), was a pioneering work of Italian neo-realism. Other films include Senso (1953), Rocco and His Brothers (1960), The Leopard (1963), Death in Venice (1971), and Conversation Piece (1975).

  7. Luchino Visconti. Writer: The Leopard. Born in his ancestral palazzo, situated in the same Milanese square as both the opera house La Scala and the Milan Cathedral, Luchino Visconti (1906 - 1976) was raised under the auspices of aristocratic privilege, theater and Catholicism.

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