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  1. Luchino Visconti

    Luchino Visconti

    Italian theatre, opera and cinema director

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  1. Luchino Visconti di Modrone, Count of Lonate Pozzolo ( Italian: [luˈkiːno viˈskonti di moˈdroːne]; 2 November 1906 – 17 March 1976) was an Italian filmmaker, theatre and opera director, and screenwriter. He was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty ...

  2. Luchino Visconti. Writer: The Leopard. Born in his ancestral palazzo, situated in the same Milanese square as both the opera house La Scala and the Milan Cathedral, Luchino Visconti (1906 - 1976) was raised under the auspices of aristocratic privilege, theater and Catholicism.

  3. Jun 7, 2018 · By A.O. Scott. June 7, 2018. Among the Italian filmmakers who achieved international prominence in the decades after World War II, Luchino Visconti possessed perhaps the sharpest historical ...

  4. Apr 15, 2024 · Neorealism. Luchino Visconti (born Nov. 2, 1906, Milan—died March 17, 1976, Rome) was an Italian motion-picture director whose realistic treatment of individuals caught in the conflicts of modern society contributed significantly to the post-World War II revolution in Italian filmmaking and earned him the title of father of Neorealism.

  5. May 23, 2018 · Visconti was born into an aristocratic family as Count Don Luchino Visconti Di Morone on November 2, 1906, in Milan, Italy. He was one of seven children of the Duke of Modrone. As a member of the Italian aristocracy, Visconti enjoyed a pampered and privileged upbringing that allowed him to pursue whatever activities suited his fancy.

  6. Jun 13, 2018 · Luchino Visconti Image by Getty Images By Jackson Arn June 13, 2018 On April 15, 1944, in Rome, Fascist soldiers captured Luchino Visconti di Modrone, the Count of Lonate Pozzolo.

  7. Luchino Visconti. Writer: The Leopard. Born in his ancestral palazzo, situated in the same Milanese square as both the opera house La Scala and the Milan Cathedral, Luchino Visconti (1906 - 1976) was raised under the auspices of aristocratic privilege, theater and Catholicism. This triangulation of monuments would create an equally titanic filmmaker whose work remained stylistically sui ...

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