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Luis de Góngora y Argote (born Luis de Argote y Góngora; Spanish: [lwis ðe ˈɣoŋɡoɾa]; 11 July 1561 – 24 May 1627) was a Spanish Baroque lyric poet and a Catholic prebendary for the Church of Córdoba. Góngora and his lifelong rival, Francisco de Quevedo, are widely
- 24 May 1627 (aged 65), Córdoba, Spain
- Luis de Argote y Góngora, 11 July 1561, Córdoba, Spain
- Poet, cleric
- Culteranismo
Luis de Góngora (born July 11, 1561, Córdoba, Spain—died May 23, 1627, Córdoba) was one of the most influential Spanish poets of his era. His Baroque, convoluted style, known as Gongorism ( gongorismo ), was so exaggerated by less gifted imitators that his reputation suffered after his death until it underwent a revaluation in the 20th ...
- The Editors of Encyclopaedia Britannica
Luis de Góngora y Argote (Córdoba, 11 de julio de 1561-Córdoba, 23 de mayo de 1627) [1] fue un poeta y dramaturgo español del Siglo de Oro, máximo exponente de la corriente literaria conocida más tarde como culteranismo o gongorismo.
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Luis de Góngora. 1561 –. 1627. Read poems by this poet. Luis de Góngora y Argote, the Golden Age Spanish poet best known for developing the Baroque literary style Gongorismo, was born on July 11, 1561, in Córdoba, Spain, where he was also raised. Góngora, who was descended from nobility, had at least one sibling—a sister.
Oct 4, 2021 · Posted on October 4, 2021 by Gethin. Luis de Góngora y Argote. Brief Biography. Luis de Góngora y Argote (1561-1627) was one of the most prominent/ outstanding poets of Spain’s Golden Age, a period of remarkable literary achievements in prose fiction, drama and verse.
Jun 11, 2018 · Luis de Góngora y Argote. The Spanish poet Luis de Góngora y Argote (1561-1627) caused a furor with his use of complex metaphor, Latinized vocabulary, unconventional syntax, and metaphysical subtleties. His baroque style became known as Gongorism.
Luis de Góngora (1561-1627) es el poeta más original e influyente de todo el Siglo de Oro español. Su obra poética rompe moldes e inaugura un nuevo lenguaje cuya virtualidad, aún insuperable, sigue marcando rumbos en la poesía contemporánea.
