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Magnolia is a 1999 American drama film written, directed and co-produced by Paul Thomas Anderson.It stars an ensemble cast, including Jeremy Blackman, Tom Cruise, Melinda Dillon, Philip Baker Hall, Philip Seymour Hoffman, Ricky Jay, William H. Macy, Alfred Molina, Julianne Moore, John C. Reilly, Jason Robards (in his final film role) and Melora Walters.
- $48.5 million
- Jon Brion
- $37 million
- JoAnne Sellar, Paul Thomas Anderson
Jan 7, 2000 · Magnolia is a 1999 epic mosaic of interrelated characters in search of love, forgiveness and meaning in the San Fernando Valley. The film features Tom Cruise, Julianne Moore, Philip Seymour Hoffman and others, and explores themes of coincidence, cancer, fictional game shows and father-son relationships.
- (323K)
- Drama
- Paul Thomas Anderson
- 2000-01-07
Nov 27, 2008 · A film of sadness and loss, of cruelty to children, of coincidence and coincidence, of hope and love. Roger Ebert analyzes the themes, performances and structure of Paul Thomas Anderson's 1999 film, which connects the stories of a policeman, a nurse, a quiz kid, a TV star, a huckster and a magician.
Magnolia is a 1999 drama film by Paul Thomas Anderson, starring Tom Cruise, Julianne Moore, Philip Seymour Hoffman and others. It follows the intertwined stories of several characters in the San Fernando Valley on a fateful day, and explores themes of coincidence, fate, redemption and television.
- (10.1K)
- Paul Thomas Anderson
- R
- Jason Robards
Jan 7, 2000 · "Magnolia" is operatic in its ambition, a great, joyous leap into melodrama and coincidence, with ragged emotions, crimes and punishments, deathbed scenes, romantic dreams, generational turmoil and celestial intervention, all scored to insistent music. It is not a timid film. Paul Thomas Anderson here joins Spike Jonze ("Being John Malkovich"), David O. Russell ("Three Kings") and their master ...
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An epic mosaic of interrelated characters in search of love, forgiveness and meaning in the San Fernando Valley. 24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad.
