Search results
Actor. IMDbPro Starmeter See rank. Massimo De Rita was born on 11 August 1935 in Rome, Lazio, Italy. He was a writer and production manager, known for The Violent Four (1968), Everybody's Fine (2009) and La piovra (1984). He died on 13 May 2013 in Rome, Lazio, Italy.
- Writer, Production Manager, Actor
- August 11, 1935
- Massimo De Rita
- May 13, 2013
Massimo De Rita ( Roma, 11 agosto 1934 – Roma, 13 maggio 2013) è stato uno sceneggiatore italiano . Indice. 1 Biografia. 2 Premi e riconoscimenti. 3 Filmografia. 3.1 Cinema. 3.2 Televisione. 4 Collegamenti esterni. Biografia.
La piovra: Created by Lucio Battistrada, Massimo De Rita. With Remo Girone, Patricia Millardet, Michele Placido, François Périer. An epic crime saga of power, money, violence and corruption. the mafia controls everything through local and international networks like an octopus, anyone who tries to bring them down pays the ultimate price.
- (3.8K)
- 1984-03-11
- Crime, Drama, Mystery
- 402
May 13, 2013 · Massimo De Rita is known as an Screenplay, Writer, Story, Actor, Production Manager, Creator, Production Assistant, Script, Storyboard, Production Coordinator, Dialogue, Original Story, Assistant Production Manager, Producer, Unit Manager, Executive Producer, Original Film Writer, and Production Secretary.
Everybody's Fine (Italian: Stanno tutti bene) is a 1990 Italian drama film directed by Giuseppe Tornatore who co-wrote the screenplay with Tonino Guerra and Massimo De Rita. It won the Prize of the Ecumenical Jury (Giuseppe Tornatore) and was nominated for Golden Palm (Giuseppe Tornatore) at the 1990 Cannes Film Festival.
- Italian
- Giuseppe Tornatore
- Angelo Rizzoli Jr., Mario Cotone, (executive producer)
- Ennio Morricone
Birthday: Aug 11, 1935. Birthplace: Rome, Lazio, Italy. Filmography. Movies. Explore the filmography of Massimo De Rita on Rotten Tomatoes! Discover ratings, reviews, and more. Click for details!
Dec 6, 2017 · Finally, in 1960, these strokes of genius (and the constant help Bava brought to the industry finishing off many films whenever and for whatever reason a change of director needed to happen) convinced producer Massimo De Rita to finance Mario’s first film, “La Maschera del Demonio” (“Black Sunday”).
