A Midsummer Night's Dream
1935
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Max Reinhardt (German: [maks ˈʁaɪnhaʁt]; born Maximilian Goldmann; 9 September 1873 – 30 October 1943) was an Austrian-born theatre and film director, intendant, and theatrical producer. With his radically innovative and avante garde stage productions, Reinhardt is regarded as one of the most prominent stage directors of the early 20th ...
Apr 3, 2024 · Founder: Salzburg Festival. Max Reinhardt (born September 9, 1873, Baden, near Vienna, Austria—died October 31, 1943, New York, NewYork, U.S.) was one of the first theatrical directors to achieve widespread recognition as a major creative artist, working in Berlin, Salzburg, New York City, and Hollywood. He helped found the annual Salzburg ...
Max Reinhardt. Director: Sumurûn. Max Reinhardt was from an Austrian merchant family (surname officially changed from the family name Goldmann to Reinhardt in 1904), and even as a boy, after his family moved to Vienna, he haunted the "Hofburg Theater" and tried to see every play.
Mini Bio. Max Reinhardt was from an Austrian merchant family (surname officially changed from the family name Goldmann to Reinhardt in 1904), and even as a boy, after his family moved to Vienna, he haunted the "Hofburg Theater" and tried to see every play. In 1890 he studied at the Sulkowsky Theater in Matzleinsdorf and started acting in Vienna ...
Sep 9, 2023 · About Max Reinhardt. Max Reinhardt, né Maximilian Goldmann, was born in Austria on September 9, 1873. He was the first truly modern stage director, renowned for his theatrical innovation and status as an impresario of international stature. His impressive direction of Hugo von Hofmannsthal’s play “Everyman” became so beloved that it has ...
Max Reinhardt was an Austrian-born theatre and film director, intendant, and theatrical producer. With his radically innovative and avante garde stage productions, Reinhardt is regarded as one of the most prominent stage directors of the early 20th century.
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May 14, 2018 · The talent and accomplishments of Max Reinhardt (1873-1943) contributed to the modern idea of the director as creative artist. He was an innovator and experimentor with both space and stage techniques and was one of the first directors to develop repertory companies.
