Robert De Niro
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Mean Streets is a 1973 American crime drama film directed by Martin Scorsese, co-written by Scorsese and Mardik Martin, and starring Robert De Niro and Harvey Keitel. It was produced by Warner Bros. The film premiered at the New York Film Festival on October 2, 1973, and was released on October 14. [3]
- $500,000
- Jonathan T. Taplin
- October 14, 1973
Oct 14, 1973 · A young mobster in New York City's Little Italy struggles with his faith, love, and friendship in this black-and-white film by Martin Scorsese. Starring Robert De Niro, Harvey Keitel, and David Proval, Mean Streets explores the themes of violence, morality, and identity in the mean streets of the city.
- (116K)
- Crime, Drama, Thriller
- Martin Scorsese
- 1973-10-14
Dec 31, 2003 · A classic film by Martin Scorsese about the moral dilemmas of a young man in a state of sin. Charlie, a Catholic gangster, tries to redeem himself by working for a Mafia boss, collecting debts, and dancing with a black stripper. The film uses lighting, music, and dialogue to suggest his slanted moral view and his uneasy relationship with his friends and family.
Mean Streets is a film about urban sin and guilt in Little Italy, where a small-time hood gets in trouble with a loan shark. Critics praise its raw energy, realism and performances, while audiences enjoy its soundtrack and cinematography.
- (2.3K)
- Martin Scorsese
- R
- Robert De Niro
Italian-American Charlie, who lives in the Little Italy neighborhood of New York City, leads a conflicted life. He identifies as Catholic, but feels he has to deal with sins in his own way for absolution than say Hail Marys.
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Oct 12, 2023 · Mean Streets is a great example of the opposite tradition: the ordinary worm’s-eye-view of the mafia, which was to lead to Scorsese’s GoodFellas and David Chase’s The Sopranos,...
A review of Martin Scorsese's "Mean Streets", a realistic and tragic story of two characters who grow up in New York's Little Italy and face the challenges of the Mafia world. The reviewer praises the film's visual style, performances, and themes, and compares it to Scorsese's first film "Who's That Knocking at My Door".
