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  1. Melancholia. (2011 film) Melancholia is a 2011 science fiction drama film written and directed by Lars von Trier and starring Kirsten Dunst, Charlotte Gainsbourg, and Kiefer Sutherland, with Alexander Skarsgård, Brady Corbet, Cameron Spurr, Charlotte Rampling, Jesper Christensen, John Hurt, Stellan Skarsgård, and Udo Kier in supporting roles.

    • $21.8 million
    • Lars von Trier
    • $9.4 million, (c. US$9.4 million (2010))
    • Lars von Trier
  2. May 26, 2011 · Melancholia: Directed by Lars von Trier. With Kirsten Dunst, Charlotte Gainsbourg, Alexander Skarsgård, Brady Corbet. Two sisters find their already strained relationship challenged as a mysterious new planet threatens to collide with Earth.

    • (191K)
    • Drama, Sci-Fi
    • Lars von Trier
    • 2011-05-26
  3. Nov 11, 2011 · Melancholia R Released Nov 11, 2011 2h 15m ... 2022 Full Review Keith Garlington Keith & the Movies “Melancholia” is a gripping, meditative film that’s delivered like an operatic ...

    • (3.7K)
    • Lars Von Trier
    • R
    • Kirsten Dunst
  4. Nov 9, 2011 · Lars von Trier's "Melancholia" opens with music from Wagner's "Tristan und Isolde," mourning and apocalyptic, and disturbing images of a world not right. A woman dressed as a bride runs through a forest whose branches seem to grab at her in a Disney nightmare. She floats in a pond, holding flowers, like Ophelia. Another woman makes her way with a child over marshy grass that sucks at her ...

  5. The film re-opens several months later as John explains that the reason for Antares' disappearance was because the newly discovered planet Melancholia was blocking the star from view. Melancholia, a rogue gas giant planet that entered the Solar System from behind the Sun, becomes visible in the sky as it approaches ever closer to Earth.

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  7. It's a virtuoso achievement, as primal and physical as it is emotional and sophisticated, and it won her the best actress prize at the 2011 Cannes Film Festival. On the press trail for Melancholia ...

  8. Nov 10, 2011 · The machinery of mass panic and media frenzy that juices up most films on this subject is notably absent. Instead, difficult emotions are registered in close-ups of individual human faces, and a ...

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