Search results
Michael John LaChiusa. Michael John LaChiusa (born July 24, 1962) is an American musical theatre and opera composer, lyricist, and librettist. He is best known for musically esoteric shows such as Hello Again, Marie Christine, The Wild Party, and See What I Wanna See. [1] [2] He was nominated for four Tony Awards in 2000 for his score and book ...
Nov 21, 2023 · Michael John LaChiusa is a Tony-nominated composer, lyricist, and librettist known for his innovative and daring works in musical theatre. Born in 1962 in Chautauqua, New York, LaChiusa began his ...
People also ask
Who is Michael LaChiusa?
Where did Michael LaChiusa grow up?
Who influenced LaChiusa?
Is LaChiusa a modernist?
Learn about the life and works of Michael John LaChiusa, a prolific composer, lyricist, and librettist for the American musical stage. He has written complex and challenging shows such as Hello Again, Marie Christine, The Wild Party, and See What I Wanna See. He has also written original operas and chamber musicals.
Sep 15, 2022 · The Michael John LaChiusa Papers at the New York Public Library for the Performing Arts. Michael John LaChiusa’s new musical Los Otros opened this summer at the A.R.T./. New York Theatres, the first of his shows to have a New York opening since First Daughter Suite in 2015. That same year, LaChiusa’s papers came to the Library for the ...
Aug 31, 2022 · Michael John LaChiusa does not go for any of that, though he came close in 2000 with the jaggedly jazzy, underestimated “The Wild Party,” his most recent Broadway outing as a composer and ...
Learn about the life and works of Michael John LaChiusa, a powerful presence on the American musical theatre scene with a number of awards and nominations. Find out his musicals, operas, songs, and collaborations with other composers and artists.
May 19, 2012 · The award-winning composer-lyricist discusses his new musicals, Queen of the Mist, Los Otros and Giant, and his hit comedy, Sukie and Sue. The multi-talented Michael John LaChiusa has long been a ...
