Ad
related to: Mike FiggisFind Deals on mike figgis in Drama DVDs on Amazon.
Search results
Michael Figgis (born 28 February 1948) is an English film director, screenwriter, and composer. He was nominated for two Academy Awards for his work in Leaving Las Vegas (1995). Figgis was the founding patron of the independent filmmakers' online community Shooting People.
- 2
- 1984–present
- Film director, screenwriter, composer
Mike Figgis is a British director, writer, composer and actor who has made films such as Leaving Las Vegas, Stormy Monday and Timecode. He has been nominated for two Oscars and won several awards for his innovative and multimedia works.
- January 1, 1
- 1.84 m
- Carlisle, Cumbria, England, UK
- Director, Writer, Composer
Jun 29, 2023 · ‘He had absolutely no fear of the social contract’…Mike Figgis and Julian Sands shooting The Loss of Sexual Innocence in 1998. Photograph: Clive Coote Julian Sands
Mike Figgis is a British filmmaker who has directed, written and scored films such as Redhugh, Stormy Monday, Internal Affairs and Leaving Las Vegas. He has also worked as a musician, actor and theatre director. Learn more about his life, career and trivia on IMDb.
- February 28, 1948
Mike Figgis is a Kenyan-born writer-director who started as a musician and actor. He is known for his experimental and innovative films, such as Leaving Las Vegas, Timecode, and Hotel.
Tomatometer®Audience ScoreTitleCreditNo Score YetNo Score YetDirector13%28%Director, Executive Producer, Original ...60%69%Executive Producer71%67%Executive Producer- February 28, 1948
Apr 28, 2000 · The director of "Time Code" reveals how he wrote, shot and released a film with four parallel stories and no edits in 2000. He also discusses his use of musical sheets, Sony's involvement, and the digital future of cinema.
People also ask
Did Mike Figgis have a fear of the social contract?
What happened to Mike Figgis?
Who is Mike Figgis?
Who is Jonathan Figgis?
Apr 28, 2000 · Mike Figgis, the director of Leaving Las Vegas and Time Code, talks about his innovative use of digital video and his vision for a new mode of visual storytelling. He explains how he shot four stories simultaneously, why plot is a waste of time, and how he destroyed voyeurism in his film.
