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My Brother's Gun. My Brother's Gun (Spanish: La pistola de mi hermano) is a 1997 Spanish film directed and written by Ray Loriga in his feature-length directorial debut. It stars Daniel González, Nico Bidásolo and Andrés Gertrúdix, with Anna Galiena, Karra Elejalde, Viggo Mortensen, and Christina Rosenvinge in supporting roles.
- Caídos del cielo, by Ray Loriga
- La pistola de mi hermano
- Ray Loriga
- Ray Loriga
Aug 15, 1997 · My Brother's Gun. Hardcover – August 15, 1997. When the oldest son of an attractive family kills a security guard and takes flight, the mother and brother he leaves behind are turned into media darlings, but after he kills again, members of his family becomes full-fledged stars. 15,000 first printing. Book recommendations, author interviews ...
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- Ray Loriga
English. 119 pages ; 20 cm. When the eldest son of an attractive family kills a security guard and promptly takes flight, the brother and mother he leaves behind are not ostracized. They become media darlings and when the second murder occurs they are fully-fledged stars. Originally published in English: New York : St Martin's Press, 1997.
Dec 1, 1997 · Gen-X novelist Ray Loriga makes his helming debut with "My Brother's Gun," a languid Hispanic reprise of pics such as "Kalifornia" and "Natural Born Killers." Though this is the best Spanish youth ...
"My Brother's Gun" is an intricately woven story of murder, fame and desperation. When a family's eldest son kills a security guard and promptly takes flight, his brother and mother become full-fledged media darlings.
Apr 1, 1995 · 283 ratings6 reviews. When the oldest son of an attractive family kills a security guard and takes flight, the mother and brother he leaves behind are turned into media darlings, but after he kills again, members of his family becomes full-fledged stars. 15,000 first printing. Genres FictionSpain. 119 pages, Hardcover.
When the eldest son of an attractive family inexplicably kills a security guard and promptly takes flight, the brother and mother he leaves behind are not - as might be expected - ostracized. Instead the insatiable media celebrate their plight, transfixed by their misfortune. They become media darlings.
