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  1. Naqoyqatsi
    PG2002 · Documentary · 1h 29m

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  1. Jan 21, 2003 · Naqoyqatsi: Directed by Godfrey Reggio. With Belladonna, Marlon Brando, Elton John, Julia Louis-Dreyfus. A visual montage portrait of our contemporary world dominated by globalized technology and violence.

    • (6.1K)
    • Documentary, Music
    • Godfrey Reggio
    • 2003-01-21
  2. en.wikipedia.org › wiki › NaqoyqatsiNaqoyqatsi - Wikipedia

    Naqoyqatsi is a 2002 American non-narrative film directed by Godfrey Reggio and edited by Jon Kane, with music composed by Philip Glass. It is the third and final installment in the Qatsi trilogy . Naqoyqatsi is a Hopi word (written as naqö̀yqatsi in Hopi orthography ) meaning "life as war".

    • Qatsi Productions
  3. Oct 18, 2002 · The long-awaited sequel to the groundbreaking films "Koyaanisqatsi" and "Powaqqatsi." Filmmaker Godfrey Reggio once again takes us on an emotional journey that highlights the profundities...

    • (150)
    • Godfrey Reggio
    • PG
    • Documentary, Music
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  5. Oct 25, 2002 · Naqoyqatsi. Roger Ebert October 25, 2002. Tweet. Now streaming on: Powered by JustWatch. " Koyaanisqatsi ," with its dramatic fast-forward style of hurtling images, made a considerable impact at the time. Clouds raced up mountainsides, traffic flowed like streams of light through city streets.

  6. You can buy "Naqoyqatsi" on Apple TV, Amazon Video, Google Play Movies, YouTube, Vudu as download or rent it on Apple TV, Amazon Video, Google Play Movies, YouTube, Vudu online. Synopsis A visual montage portrait of our contemporary world dominated by globalized technology and violence.

    • 2002
    • 16
    • Godfrey Reggio
    • 89 min
  7. The Qatsi Trilogy [a] is a series of three non-narrative films produced by Godfrey Reggio and scored by Philip Glass. The trilogy includes Koyaanisqatsi (1982), Powaqqatsi (1988), and Naqoyqatsi (2002). The titles of the films are derived from the Hopi language, in which the word qatsi translates to "life."

  8. Naqoyqatsi Godfrey Reggio takes on the digital revolution in the final chapter of his Qatsi Trilogy. Through a variety of cinematic techniques, including slow motion, time-lapse, computer- generated imagery, and found footage, the film tells of a world that has completed the transition from the natural to the artificial.

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