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  1. Norman Lear: Just Another Version of You

    Norman Lear: Just Another Version of You

    2016 · Documentary · 1h 31m

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  1. Norman Lear: Just Another Version of You: Directed by Heidi Ewing, Rachel Grady. With John Amos, Bea Arthur, Adrienne Barbeau, Valerie Bertinelli. A look at the life, work and political activism of one of the most successful television producers of all time, Norman Lear.

    • (452)
    • Documentary, Biography, History
    • Heidi Ewing, Rachel Grady
    • 2016-05
  2. The first documentary about the 94-year-old television legend, "American Masters — Norman Lear: Just Another Version of You," premieres nationwide Tuesday, October 25 at 9 p.m. on PBS (check ...

    • Chris Mather
    • 2 min
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  4. Movie Info. Producer Norman Lear creates "All in the Family," "The Jeffersons," "Sanford and Son," "Good Times" and other classic TV shows. Genre: Documentary. Original Language: English. Director ...

    • (44)
    • Loki Films
    • Heidi Ewing, Rachel Grady
    • July 08, 2016
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  5. Oct 25, 2016 · Norman Lear: Just Another Version of You: Directed by Heidi Ewing, Rachel Grady, Annette Jolles. With John Amos, Bea Arthur, Adrienne Barbeau, Valerie Bertinelli.

    • (99)
    • Documentary, Biography, Music
    • Heidi Ewing, Rachel Grady, Annette Jolles
    • 2016-10-25
  6. July 7, 2016. There are lessons to be gleaned about creativity and longevity from “Norman Lear: Just Another Version of You,” Heidi Ewing and Rachel Grady’s assured documentary portrait of ...

  7. Synopsis. Arguably the most influential creator, writer, and producer in the history of television, Norman Lear brought primetime into step with the times. Using comedy and indelible characters, his legendary 1970s shows such as All In the Family, Maude, Good Times, and The Jeffersons, boldly cracked open dialogue and shifted the national ...

  8. Jul 8, 2016 · Lear was 92 when the film was shot during a book tour last year, and while he’s as mentally and physically active as a person could hope to be at his age, the movie is suffused with melancholy, much of it stemming from Lear’s realization that most of his life is behind him. Advertisement. Perhaps not coincidentally, it’s a film about faces.

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