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  1. en.wikipedia.org › wiki › OthelloOthello - Wikipedia

    5 days ago · Othello ( / ɒˈθɛloʊ /; full title: The Tragedy of Othello, the Moor of Venice) is a tragedy written by William Shakespeare, around 1603. The story revolves around two characters, Othello and Iago . Othello is a Moorish military commander who was serving as a general of the Venetian army in defence of Cyprus against invasion by Ottoman Turks.

    • William Shakespeare
    • 1941
  2. 2 days ago · Description:Delve into the compelling world of Shakespeare's Othello with our detailed character analysis video. Join us as we explore the complexities of Ot...

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  3. Mar 27, 2024 · An examination of comedy and tragedy. Explore acts of storytelling in William Shakespeare's Othello alongside world-class artists who interpret Othello's story in new forms and contexts today. Featuring faculty from: Enroll Today. Self-Paced. Length. 4 weeks. 5-7 hours a week. Certificate Price. $149. Program Dates. Mar 27, 2024. Mar 26, 2025.

  4. Mar 22, 2024 · Othello : Complete and Unabridged by William Shakespeare; Oscar Zarate. Call Number: 822.33T7/SHAK Published 1983. With its action packed full colour illustrations, this unabridged text engages the reader in the tragedy of Othello on a whole new level. View document now - Scene 1. [PDF] - Bradfield College only. more... ebooks.

  5. Mar 23, 2024 · 23 March 2024. Cite. Permissions. Share. Extract. As its subtitle ‘through Wittgenstein’ indicates, Richard Gaskin approaches Othello in his new book by drawing on and developing some central ideas in Wittgenstein’s epistemology and philosophy of mind. Gaskin writes insightfully, with both power and elegance.

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  7. Apr 4, 2024 · By fighting for Venice against the Ottomans at the beginning of the play, Othello distinguishes himself from the Muslim ‘menace’ threatening Christian Europe. However, as he slowly succumbs to Iago’s manipulations, Othello comes ever closer to resembling Venice’s Ottoman enemy.

  8. Apr 8, 2024 · John Kani’s Othello is a fine and masterful performance that should make every white actor think twice before blacking up for the Moor,” wrote The Guardian of this raw and powerful interpretation of the play.

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