Jan 19, 1996 · The Moorish General Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his Lieutenant Michael Cassio, when in reality, it is all part of the scheme of a bitter Ensign named Iago.
- Oliver Parker
- 2 min
Desdemona (Dame Maggie Smith) defies her father to marry the Moor of Venice, the mighty warrior, Othello (Sir Laurence Olivier).
- Stuart Burge
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John Othello's tragic end is like that of the Moor: He realizes too late that while Jago/Iago has betrayed him, Othello has eagerly participated in that very betrayal and his own self-destruction. Well written and well acted, this movie demonstrates the dynamism of the old story of a man "who loved more than any man should."
Jan 28, 2002 · Shakespeare's Othello retold in modern London; racial tension in the police force collides with jealousy and revenge. An officer suspects his new bride of infidelity.
- Geoffrey Sax
Othello is a 1995 American drama film based on William Shakespeare 's tragedy of the same name. It was directed by Oliver Parker and stars Laurence Fishburne as Othello, Irène Jacob as Desdemona, and Kenneth Branagh as Iago.
Othello is a 1965 film based on the National Theatre Company 's staging of Shakespeare 's Othello (1964-1966) staged by John Dexter. Directed by Stuart Burge, the film starred Laurence Olivier, Maggie Smith, Joyce Redman, and Frank Finlay, who all received Oscar nominations, and provided film debuts for both Derek Jacobi and Michael Gambon.
This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Otello" 1986 film – news · newspapers · books · scholar · JSTOR Otello Theatrical release poster Directed byFranco Zeffirelli Produced by Yoram Globus Menahem Golan John Thompson Screenplay byadaptation: Franco Zeffirelli Masolino D'Amico Based on Othello by William Shakespeare Otello by...
With only a few exceptions, the film follows the same plot as the opera. Iago plots and brings about Otello's downfall by convincing him that his wife Desdemona is engaged in an affair with the young lieutenant Cassio, provoking Otello to murder her in a blind rage. However, in a major change from the opera, Otello kills Iago at the end by throwing a spear at him, while in the stage version he only wounds him with his sword.
Menachem Golan and Yoram Globus of Cannon Films worked out a deal with popular operatic tenor Plácido Domingo to finance him in a film version of an opera. They wanted the singer to appear in an adaptation of Verdi's Il trovatore. Domingo, however, suggested instead that they film Otello, his signature role. While working with Italian director Franco Zeffirelli on a stage production of Tosca at the Metropolitan Opera, Domingo discussed the possibility of collaborating again on another ...
For the most part, the film follows the original score of the opera with several noticeable exceptions. The entire "Willow Song", Desdemona's solo aria, which is largely considered one of the most beautiful moments in the work, is omitted. However, her "Ave Maria", which follows immediately, is retained in the film. There are, at various points, smaller additional cuts in the music, such as the moment at the end of the storm scene when the chorus is cut short and the film skips to the recitativo
Otello was named Best Foreign Film of 1986 by the U.S. National Board of Review of Motion Pictures. It was nominated for a Bafta Award for the Best Foreign Language Film in 1987, but the award was won by Akira Kurosawa's Ran. In the same category, it was also nominated for a Golden Globe. The film was also entered into the 1986 Cannes Film Festival. Leonard Maltin, in his Movie and Video Guide, called the film "nearly flawless". Vincent Canby in the New York Times, however, criticized Zeffirelli
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