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Film director. screenwriter. film producer. Years active. 1993–present. Parent. George P. Cosmatos (father) Panos Cosmatos (born February 1, [1] 1974) is an Italian-Canadian film director and screenwriter. He is known for Beyond the Black Rainbow [2] and Mandy.
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- .mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}George P. Cosmatos (father)
- 1993–present
Panos Cosmatos is a filmmaker who has worked on Mandy, Beyond the Black Rainbow, Tombstone and Guillermo del Toro's Cabinet of Curiosities. He is the son of director George P. Cosmatos and a fan of R-rated movies.
- Writer, Director, Producer
- Panos Cosmatos
Mar 24, 2022 · The Verge reports on the upcoming sci-fi film Nekrokosm, co-written and directed by Panos Cosmatos, the creator of Mandy and Beyond the Black Rainbow. The film is set in a strange galaxy and follows two lovers torn apart by a malevolent invasion.
2 days ago · Panos Cosmatos will undoubtedly be working in close quarters with Andrew Kevin Walker, the legendary screenwriter behind films such as Se7en, Sleepy Hollow, Fincher’s The Killer and (like he ...
Oct 17, 2018 · The director of Mandy, a psychedelic action-horror film, talks about his inspiration, grief, music and casting. He reveals how he was influenced by Mötley Crüe and Black Sabbath, how he used his mother's death as therapy, and how he met Andrea Riseborough.
Apr 22, 2011 · Beyond the Black Rainbow: Directed by Panos Cosmatos. With Michael J Rogers, Eva Bourne, Scott Hylands, Rondel Reynoldson. Despite being under heavy sedation, a young woman tries to make her way out of the Arboria Institute, a secluded, quasifuturistic commune.
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Oct 21, 2022 · A review of the 2010 sci-fi horror film by Panos Cosmatos, the director of Mandy. The film is a slow and atmospheric mood piece that pays homage to '80s cinema, but also creates its own style with stunning visuals and a New Age-inspired score.
