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Aug 18, 2018 · Sold at Sotheby's October 24, 2005. Though dated 1903, the subject matter, handling and palate of Red Roses clearly places it towards the end of Nicholson's painting career. The description in Browse of Red Roses in Glass Jug undoubtedly refers to the present work but the dating remains incongruous.
Nov 5, 2011 · Patricia Reed has organised her Catalogue Raisonné — and the painter’s life — chronologically, with sensibility and precision. For ‘two decades or more’ she has searched out the paintings (and...
Patricia Reed. See Photos. View the profiles of people named Patricia Reed. Join Facebook to connect with Patricia Reed and others you may know. Facebook gives people the power to...
- Navigation as Synthesis
- Planetary Considerations
- Preserving Specificity
- The Discrete and The Continuous
- Distributed Locatability
- Struggle Over The Human
- Horizonless Spatiality
Before diving into navigation at a planetary scale specifically, it is worthwhile to lay out a brief outline of what navigation is. Navigation is, above all, a synthetic operation. First, it’s the ongoing mediation of intentionality with the contingency of unknown or accidental events. Navigation is not destination, but it is not entirely divorced ...
Several factors arise when speculating on transforming the “planetary scale” from its existing diagnostic state to one that may offer a valence for political orientation. The first and most obvious factor is the critical question of how to contend with scale as such. Historically, scalar ambitions have been equated with forms of domination, conform...
To begin imagining navigation at the planetary scale without it becoming a mode of enforced uniformity, this structural condition of nth dimensionality needs to be approached with a commitment to the preservation of localized distinctions. What are the politics of location at the planetary scale? “A politics of location” emphasizes an accounting of...
There is a shared inclination in this regard, already present in Édouard Glissant’s writing towards the end of the twentieth century on a “one-world” (tout monde). Glissant’s tout monde was one composed of vastly different worlds, including representations of it, making it impossible to speak of the whole from a single position.5 The negotiation of...
Through the synthetic lens of the discrete and the continuous, it can be said that locations or sites not only exist in and have relations to neighborhoods of broader contexts, but that this relationality feeds back into them. This means that sites or situations are co-constituted by extra-local relations. There exists an array of contextual condit...
There are those who champion, or who actively seek to amplify, the navigational turbulence produced by this decentered human position at the planetary scale, making for an urgent battle over claims on orientation. Such tendencies thrive among several techno-neoreactionaries, who, in denying absolutely any form of planetary navigability from a resit...
Spatially and geometrically speaking, it’s worth highlighting that the classical perspective coincided with the concept of the monohumanist human—the genre of human centrality where reality is conceived as optimizable in its own, familiar image, and “knowing” is often reduced to picturing the world as a resource for human projects.15 Correspondingl...
Patricia Reed: The One and the Many - Carleton University Art Gallery. Exhibitions > Archive. Patricia Reed: The One and the Many. September 12 - December 11, 2016. Deploying familiar nation-state symbols and their representational tools of exchange—anthems, flags and currencies—Reed’s work highlights the ways in which our world is ordered.
Mar 27, 2012 · Author and scholar Patricia Reed offers detailed entries for each of Nicholson's oil paintings, along with a comprehensive chronology of his life. The art historian Wendy Baron gives a context for Nicholson in British art at the beginning of the 20th century, and the painter and critic Merlin James celebrates the virtuosity and subtlety of ...
- Patricia Reed
Jul 2, 2020 · Patricia Reed is an artist, writer, and designer based in Berlin. Her work concerns the entanglements between epistemology, modeling and politics adapted to planetary scales of cohabitation. She is also part of the Laboria Cuboniks ‘Xenofeminist’ working group.
