Erwin Splettstößer
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People on Sunday is notable for its portrayal of daily life in Berlin before Adolf Hitler became Chancellor and as an early work by writer/director Billy Wilder before he moved to the United States to escape from Hitler's Germany. The film is the directorial debut of the Siodmak Brothers.
- 4 February 1930
- Filmstudio
- Erwin Splettstößer, Brigitte Borchert, Wolfgang von Waltershausen, Christl Ehlers, Annie Schreyer
People on Sunday: Directed by Robert Siodmak, Edgar G. Ulmer, Rochus Gliese, Curt Siodmak, Fred Zinnemann. With Erwin Splettstößer, Brigitte Borchert, Wolfgang von Waltershausen, Christl Ehlers. Two men and two women enjoy a pleasant Sunday at the beach amid the unending toil of the working week.
- Robert Siodmak, Edgar G. Ulmer, Rochus Gliese
- 2 min
A unique hybrid of documentary and fictional storytelling, People on Sunday was both an experiment and a mainstream hit that would influence generations of film artists around the world. Film Info. Spine #569. Special Features. New high-definition digital restoration, created in collaboration with the EYE Film Institute Netherlands.
- Himself (Taxi Driver)
Jun 27, 2011 · Jun 27, 2011. S hot in Berlin on the eve of the Great Depression with almost no budget, an equally modest cast of amateur actors, a relatively untested, unknown crew, and no major studio backing, the late silent film People on Sunday (1930) has a production history like no other.
Jan 14, 2015 · The movie, directed by Robert Siodmak and Edgar G. Ulmer (with uncredited contributions from Fred Zinnemann), stars five amateurs who play roles based on their real lives—none of whom ever starred...
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A unique hybrid of documentary and fictional storytelling, PEOPLE ON SUNDAY was both an experiment and a mainstream hit that would influence generations of film artists around the world. Directed by Robert Siodmak and Edgar G. Ulmer • 1930 • Germany Years before they became major players in Hollywood, a group of young German filmmakers ...
Released in 1930, People on Sunday--one of the final expressions of the silent era in an industry giving over to sound cinema--became a surprise hit, a highly influential film and, over the years, something of a legend, as it was almost impossible to see in the United States for decades.
