Chris Parker
Allie
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75 minutes. Country. United States. Language. English. Budget. US$ 12,000. Permanent Vacation is a 1980 film directed, written and produced by Jim Jarmusch. [2] It was the director's first release, and was shot on 16 mm film shortly after he dropped out of film school.
- Jim Jarmusch
- US$12,000
- Chris Parker
- Jim Jarmusch, John Lurie
Apr 25, 1984 · Permanent Vacation: Directed by Jim Jarmusch. With Chris Parker, Leila Gastil, John Lurie, Richard Boes. A young man wanders New York City searching for some meaning in life and encounters many idiosyncratic characters.
- Jim Jarmusch
- 27
- 2 min
Sep 12, 2014 · Permanent Vacation, the 1980 feature-length debut from American auteur Jim Jarmusch, is possibly the most directionless entry in a filmography defined by lyrical aimlessness, and is almost certainly the director’s least seen and celebrated work. One of the finest films in the entire “young dude walks around in search of enlightenment ...
- 2 min
A drifter (Chris Parker) wanders Manhattan searching for purpose and meaning, seeing his girlfriend (Leila Gastil) and meeting strangers. Director Jim Jarmusch Screenwriter Jim Jarmusch Production ...
- (127)
- Jim Jarmusch
- Comedy, Drama
- Chris Parker
Permanent Vacation. Directed by Jim Jarmusch • 1980 • United States. Starring Chris Parker, Sara Driver, John Lurie. Jim Jarmusch’s first feature displays the first hints of the deadpan, minimalist-cool style that he would refine in his breakthrough STRANGER THAN PARADISE. Young, alienated hipster Aloysius Christopher Parker (Chris Parker ...
Set against the entropic backdrop of late-1970s New York City, Jim Jarmusch's debut Permanent Vacation sedately charts the peripatetic rovings of Aloysious (Allie) Parker, an enervated young vagabond. While its desultory scenario is very much in keeping with its modest 75-minute run time, I couldn't help but find Allie's notably stilted affect ...
Permanent Vacation may drift and meander like its protagonist, travelling from one scene and encounter to the next with apparent aimlessness, but in fact, unlike the vainglorious Allie, the film is a structured, mature affair, already rippling with the narrative symmetries, evocative allusions and existential absurdities that would mark all ...
