The Cook, the Thief, His Wife and Her Lover
1990
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Peter Greenaway, CBE (born 5 April 1942) is a British film director, screenwriter and artist. His films are noted for the distinct influence of Renaissance and Baroque painting, and Mannerism painting in particular. Common traits in his films are the scenic composition and illumination and the contrasts of costume and nudity, nature and ...
- 1962–present
IMDb provides an overview of the life and work of Peter Greenaway, a British director, writer and editor known for his visually and intellectually challenging films. Browse his credits, awards, trivia, photos, videos and more on IMDb.
- January 1, 1
- 2 min
- Newport, Gwent, Wales, UK
Learn about the life and career of Peter Greenaway, a visionary and boundary-pushing filmmaker who challenges viewers with his honest confrontations on topics such as nudity, sexuality, violence, decay and death. Find out his birth name, family, spouses, trademarks, trivia, quotes and more.
- April 5, 1942
May 3, 2023 · The acclaimed art-house filmmaker reflects on his distinctive style, his renaissance, and his upcoming film with Morgan Freeman. He also discusses his surreal comedy about three women who drown their husbands, which is now on 4K.
Sep 6, 2022 · Peter Greenaway furthers his reach into pure visual art Dec. 15, 2010 From his earliest days as an experimental filmmaker in the 1960s, Greenaway has bemoaned Hollywood, which, he says, merely ...
- Mark Swed
- Classical Music Critic
- mark.swed@latimes.com
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May 14, 2022 · The director of "The Cook, the Thief, His Wife & Her Lover" and "The Pillow Book" talks about his playful and provocative filmography, his love of lists and maps, and his latest project, "Walking to Paris". He also shares his views on cinema, art, and the world.
Nov 17, 2022 · A conversation with the visionary British director Peter Greenaway, who talks about his long and prolific career in cinema and art, from his early films to his latest multimedia project. He discusses his fascination with patterns, sequences, numbers and letters, and his views on cinema's ephemerality and history.
