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  1. Peter Hoar
    British television director and producer

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  1. en.wikipedia.org › wiki › Peter_HoarPeter Hoar - Wikipedia

    Peter Hoar is a double BAFTA winning British director of film and television, [1] known for his work on Daredevil, Doctor Who, It's a Sin and The Last of Us . Career. Hoar studied Media Production at Bournemouth University in 1989, graduating in 1992. [2] [3]

  2. www.imdb.com › name › nm0387486Peter Hoar - IMDb

    Peter Hoar is a British TV and film director, producer and location manager. He has worked on shows such as The Last of Us, It's a Sin, The Umbrella Academy and Daredevil.

    • Director, Producer, Location Management
    • Peter Hoar
  3. Aug 23, 2023 · August 23, 2023. Courtesy HBO. Peter Hoar had worked consistently in television for decades before signing on to direct The Last of Us ’s third—and most redefining—episode, but it was a...

  4. Jan 30, 2023 · Peter Hoar, director of It's a Sin and Umbrella Academy, talks about his experience filming the standalone love story of Bill and Frank in The Last of Us. He reveals the secret meaning behind the last shot, the challenges of directing Nick Offerman and Murray Bartlett, and his connection to the LGBTQ community.

    • Dais Johnston
  5. Aug 17, 2023 · Emmy nominee Peter Hoar looks back on “Long, Long Time,” the episode of HBO's drama series that took a major narrative risk to depict a romantic connection rarely seen on television. By Carita...

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  7. Jan 29, 2023 · Director Peter Hoar explains how Nick Offerman and Murray Bartlett joined forces for the HBO show's surprise detour. By Brady Langmann Published: Jan 29, 2023 9:30 PM EST. Save Article. Dry...

  8. Aug 21, 2023 · Awards Radar spoke with director Peter Hoar on Zoom, who helmed the third episode of The Last of Us, to discuss his Emmy nomination and the reception that the show and the episode received. Hoar is well-known in television, directing several episodes of Daredevil, The Defenders, The Umbrella Academy, and, most recently, the miniseries It’s a Sin .

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