Species II
1998
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Péter Medák (born 23 December 1937) is a Hungarian-British film and television director. [1] Early life. Born in Budapest, Hungary, he was the son of Elisabeth (née Diamounstein) and Gyula Medak, a textile manufacturer. His family was Jewish. In 1956, he fled his native country for the United Kingdom due to the Hungarian Uprising. [1] .
- 4
- 1968–present
- Film director, television director
Peter Medak. Director: The Changeling. Peter Medak is a Hungarian-born British film director. Born in Budapest, Hungary, then part of the Warsaw Bloc, Medak fled to England at the age of 18 during the bloody uprising against the Soviet regime. He began his career with associated British Picture Corporation in Borehamwood.
- January 1, 1
- 1.85 m
- Budapest, Hungary
Peter Medak is a Hungarian-born British film director. Born in Budapest, Hungary, then part of the Warsaw Bloc, Medak fled to England at the age of 18 during the bloody uprising against the Soviet regime. He began his career with associated British Picture Corporation in Borehamwood.
Aug 21, 2018 · Features. General. ‘The Changeling’ Director Peter Medak Says the Industry Thinks He Is Too Old To Work on TV Anymore. The director reflects on his 1980 horror classic's legacy and its most...
- Jamie Righetti
Peter Medak. Highest Rated: 96% The Ghost of Peter Sellers (2018) Lowest Rated: 9% Species II (1998) Birthday: Dec 23, 1937. Birthplace: Budapest, Hungary. Hungarian-born Peter Medak...
Tomatometer®Audience ScoreTitleCredit96%67%Self, DirectorNo Score YetNo Score YetDirector, Executive ProducerNo Score Yet38%DirectorNo Score Yet76%DirectorPeople also ask
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Jun 27, 2020 · In an eclectic and sometimes erratic career spanning five decades, Hungarian-born director Peter Medak has proven to have longevity and has gifted cinemagoers a handful of classic films as well as a number of forgotten yet fascinating gems that deserve to be reevaluated and reintroduced into film culture. (Photo: 1091 Media)
Jul 26, 2018 · Medak: It's a classical ghost story about some hidden things which have happened in the past and are indirectly discovered. That's the catalyst of the film. He (George C. Scott's character) thinks it's about his daughter, but it isn't. It's always full of surprises.
