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  1. Pierre Bonnard. French Painter and Printmaker. Born: October 3, 1867 - Fontenay-aux-Roses, France. Died: January 23, 1947 - Le Cannet, France. Movements and Styles: Post-Impressionism. , Les Nabis. , Symbolism. "Art is not nature.. There was a lot more to be got out of color." 1 of 7. Summary of Pierre Bonnard.

  2. Apr 18, 2024 · Pierre Bonnard (born October 3, 1867, Fontenay-aux-Roses, France—died January 23, 1947, Le Cannet) was a French painter and printmaker, a member of the group of artists called the Nabis and afterward a leader of the Intimists. He is generally regarded as one of the greatest colourists of modern art.

  3. Pierre Bonnard ( French: [bɔnaʁ]; 3 October 1867 – 23 January 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced ...

  4. November 2010. The artistic legacy of Pierre Bonnard (1867–1947) calls to mind the many dazzling bathing paintings of Marthe, his wife and muse of nearly fifty years, modeling in the bathtub, toweling her ever-youthful figure, or gazing at her nude likeness at her toilette.

  5. Pierre Bonnard (French: [bɔnaʁ]; 3 October 1867 – 23 January 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color.

  6. Jan 31, 2020 · Pierre Bonnard (October 3, 1867–January 23, 1947) was a French painter who helped provide a bridge between impressionism and the abstraction explored by post-impressionists. He is known for the bold colors in his work and a fondness for painting elements of everyday life. Fast Facts: Pierre Bonnard. Occupation: Painter.

  7. Jun 5, 2023 · Pierre Bonnard (1867-1947) was part of the “Nabis” (“prophets”) movement, which included Édouard Vuillard and Ker-Xavier Roussel, who fused art and design and were inspired by Japanese aesthetics and reverence of the natural world. They applied colour to flat surfaces rather than trying to imitate nature.

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