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PolyGram Filmed Entertainment (formerly known as Filmworks, Casablanca Records & Filmworks, PolyGram Films and PolyGram Pictures or simply PFE) was a film production company founded in 1975 as an American film studio, which became a European competitor to Hollywood within two decades, but was eventually sold to Seagram Company Ltd. in 1998 and was folded a year later.
- 2000; 23 years ago
- Peter Guber
- 1975; 48 years ago
- Independent (1975–1980), PolyGram (1980–1998), Universal Pictures (1998–1999)
PolyGram Entertainment produces music-driven content based on the world's most comprehensive and storied music catalog. Explore the projects that explore how music shapes culture, such as documentaries on Donna Summer, Louis Armstrong, The Beatles, and more.
Nov 4, 2022 · 40 years since it started and nearly 20 years since it was wrapped up, Polygram Filmed Entertainment still leaves a huge legacy. Working with the finests actors, directors and producers for the UK, US and Europe, and kickstarting the careers of people like Danny Boyle, Vin Diesel and Spike Jonze is a pretty impressive calling card to leave.
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Barb Wire (1996 film) Barney's Great Adventure. Batman (1989 film) Batman & Robin (film) Batman Forever. Batman Returns. Bean (film) Before the Rain (1994 film) The Big Lebowski.
PolyGram Filmed Entertainment was a film production company founded in 1975 as an American film studio, which became a European competitor to Hollywood within two decades, but was eventually sold to Seagram Company Ltd. in 1998 and was folded a year later.
Universal Music Group (relaunch) PolyGram N.V. was a multinational entertainment company and major music record label formerly based in the Netherlands. It was founded in 1962 as the Grammophon-Philips Group by Dutch corporation Philips and German corporation Siemens, to be a holding for their record companies, and was renamed "PolyGram" in 1972.
Apr 22, 2020 · His article ‘PolyGram Filmed Entertainment and Working Title Films: the making of a film studio and its production label’, was published in the Historical Journal of Film, Radio and Television, 38: 3 (2018), pp.555-83.
