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Album, Limited Edition, Stereo, Remastered. View credits, reviews, tracks and shop for the 1997 CD release of "Double Indemnity / The Killers / Lost Weekend" on Discogs.
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Dec 1, 2001 · 1944-46: Sedares and the New Zealand Symphony have also recorded suites from three of Rózsa’s best film scores of the 40’s: Double Indemnity, The Lost Weekend, and The Killers (1946). The playing here is adequate but shows signs of insufficient rehearsal (Koch International 3-7375-2-H1).
Jun 1, 2022 · But Rózsa also traveled inside the equally exotic human psyche in Alfred Hitchcock’s Spellbound (1945), brilliantly casting a theremin as the sound of Gregory Peck’s paranoia, and in the scores for a trio of film noirs: Double Indemnity, Wilder’s The Lost Weekend (1945), and Robert Siodmak’s The Killers (1946).
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Rózsa: The Lost Weekend; Double Indemnity; The Killers by Miklós Rózsa released in 1997. Find album reviews, track lists, credits, awards and more at AllMusi.
Oct 21, 2006 · Double Indemnity / The Killers / Lost Weekend. Miklos Rozsa (Composer), James Sedares (Conductor), New Zealand Symphony Orchestra (Orchestra) Format: Audio CD. 4.7 4 ratings. $13937. See all formats and editions. Audio CD. $139.37 5 Used from $7.30 4 New from $135.99.
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Jul 22, 2020 · The Lost Weekend (1945) Miklós Rózsa’s concert music is filled with Hungarian folk elements. At moments, these sounds emerge in the score for this psychological drama, directed by Billy Wilder and starring Ray Milland and Jane Wyman. (4:08 in the clip below may remind you of Bartók’s hellish The Miraculous Mandarin). When the film was ...
Alfred Hitchcock had recently seen “Double Indemnity” when he recommended to producer David O. Selznick that Rózsa should score their new psychological-romantic melodrama. They both wanted a new sound to accompany the paranoia element in the film. Rózsa immediately suggested a sound-oscillating instrument: the theremin.
