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  1. Oct 17, 2008 · In 1514, Raphael was appointed "magister operis" in charge of the building of St. Peter's. In the six subsequent years, until his death in 1520, he directed for Pope Leo X some of the main works in Rome, including the Vatican Palace (1514-1515) and the Villa Madama (from 1518), and carried on architectural activity for various patrons.

  2. Raphael, in the Bible, one of the archangels. In the apocryphal Old Testament (Hebrew Bible) Book of Tobit, he is the one who, in human disguise and under the name of Azarias (“Yahweh helps”), accompanied Tobias in his adventurous journey and conquered the demon Asmodeus. He is said (Tobit 12:15)

  3. Dec 2, 2020 · raphael todos sus 30 grandes exitos inmortales - canciones de amor memorables de raphael----- ★★★ ★★★ -----01. 100 años02. si no estuvieras tu...

    • Dec 2, 2020
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    • Canción De Amor
  4. Raphael, born Raffaello Sanzio, was crowned the "Prince of Painters" by Giorgio Vasari, a sixteenth-century biographer of artists. From his father, Raphael learned painting; in his native Urbino, he experienced intellectual court life. A year after his father's sudden death, Raphael entered the workshop of Urbino's leading painter at age twelve ...

  5. Raphael, School of Athens , 1509-1511, fresco (Stanza della Segnatura, Palazzi Pontifici, Vatican) The two thinkers in the very center, Aristotle (on the right) and Plato (on the left, pointing up) have been enormously important to Western thinking generally, and in different ways, their different philosophies were incoporated into Christianity.

  6. Apr 16, 2019 · Raphael. Portrait of a Lady with a Unicorn, ca. 1505. Legion of Honor. Advertisement. One of Raphael’s earliest works is also his most mysterious. The portrait depicts an elegant blonde woman holding a small unicorn, her head framed by two columns and a far-off landscape of green earth and blue sky.

  7. Mar 21, 2022 · In particular, Raphael’s fresco The School of Athens has come to symbolize the marriage of art, philosophy, and science that was a hallmark of the Italian Renaissance. Painted between 1509 and 1511, it is located in the first of the four rooms designed by Raphael, the Stanza della Segnatura.

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