James Dean
Jim Stark
Search results
People also ask
Who is Jim Stark in Rebel Without a cause?
Who starred in Rebel Without a cause?
Is Rebel Without a cause based on a true story?
Is Rebel Without a cause a melodrama?
Rebel Without a Cause is a 1955 American coming-of-age romantic drama film about emotionally confused suburban, middle-class teenagers. Filmed in the then recently introduced CinemaScope format and directed by Nicholas Ray, it offered both social commentary and an alternative to previous films depicting delinquents in urban slum environments.
- $1.5 million
- David Weisbart
Rebel Without a Cause: Directed by Nicholas Ray. With James Dean, Natalie Wood, Sal Mineo, Jim Backus. A rebellious young man with a troubled past comes to a new town, finding friends and enemies.
- Nicholas Ray
- 2 min
Find out who starred in the classic film Rebel Without a Cause (1955) directed by Nicholas Ray and written by Stewart Stern and Irving Shulman. See the full list of actors, actresses, writers, producers, composers, editors, and more who worked on this film.
Summaries. A rebellious young man with a troubled past comes to a new town, finding friends and enemies. Jim Stark is the new kid in town. He has been in trouble elsewhere; that's why his family has had to move before. Here he hopes to find the love he doesn't get from his middle-class family.
James Dean in Rebel Without a Cause (1955), directed by Nicholas Ray. Rebel Without a Cause, American film drama, released in 1955, that is a classic tale of teenage rebellion and angst. The movie featured James Dean in one of his final roles; he died one month before the release.
- Lee Pfeiffer
After moving to a new town, troublemaking teen Jim Stark (James Dean) is supposed to have a clean slate, although being the new kid in town brings its own problems. While searching for some ...
- (61)
- Drama
- PG-13
Jun 19, 2005 · James Dean's performance as Jim Stark, a rebellious teen in 1950s Los Angeles, is a classic of the young and the restless genre. The film explores themes of existentialism, masculinity, femininity, and social alienation in a posthumous critique of the culture and the role of the film industry.
