4 days ago · Bear McCreary (born February 17, 1979) is an American musician and composer of film, television, and video games scores based in Los Angeles, California.He is best known for his work on Agents of S.H.I.E.L.D. and the reimagined Battlestar Galactica television series, as well as Outlander and The Walking Dead.
Jan 11, 2021 · History. Madison Gate Records is the most recent in a long line of record companies affiliated with Columbia Pictures (now a part of Sony Pictures Entertainment), beginning with Colpix Records in 1958 and including the Colgems Records, Bell Records and Arista Records labels.
- Innocence (Theme from Rebel in the Rye)youtube.com
- Typewriter Drumsyoutube.com
- Celebration at the Stork Clubyoutube.com
4 days ago · Brendon Small (born February 15, 1975) is an American stand-up comedian, animator, actor, voice actor, writer, director, producer, singer and musician known for co-creating the animated series Home Movies (1999–2004; with Loren Bouchard) and Metalocalypse (2006–13; with Tommy Blacha).
- Donald Cock (occasional stage name), Captain Mustache (stage character)
- Actor, voice actor, stand-up comedian, animator, writer, producer, musician
- February 15, 1975 (age 45), Springfield, Illinois, U.S.
5 days ago · The Professor and the Madman is a 2019 biographical drama film directed by Farhad Safinia (under the pseudonym P. B. Shemran), from a screenplay by Safinia and Todd Komarnicki based on the 1998 book The Surgeon of Crowthorne (published in the United States as The Professor and the Madman) by Simon Winchester.
Thomas Montgomery Newman (born October 20, 1955) is an American composer best known for his many film scores.In a career that has spanned over four decades, he has scored numerous classics including The Player, The Shawshank Redemption, Cinderella Man, American Beauty, The Green Mile, In the Bedroom, Angels in America, Finding Nemo, Lemony Snicket's A Series of Unfortunate Events, WALL-E, the ...
The MUTOs are known to have been developed from the six-legged, Anguirus-like Rokmutul and the winged, dragon-like Pterodactyl—two early monsters from the development of Godzilla. In the 2012 Comic-Con teaser trailer for the film, a strange, dead monster was shown to confirm that Godzilla would be fighting another monster. When Legendary Pictures brought director Gareth Edwards and screenwriter Max Borensteinaboard the project, they came up with the MUTOs while contemplating the reason why another monster would be Godzilla's natural enemy. 1. Rokmutulconcept art by Josh Nizzi 2. Pterodactylconcept art by Josh Nizzi The MUTOs went through several dozen concepts before Legendary settled on their final designs. Concept artist Matt Allsopp, working with Gareth Edwards, did the majority of the design work on the MUTOs. As was the case for Godzilla, many individual MUTO concepts leaned heavily on a certain type of animal. Edwards at first wanted a design akin to a crab, but this was disca...
MPC visual effects supervisor Guillaume Rocheron was quoted in Godzilla: The Art of Destructionas saying that he "would classify [the MUTOs] as mammals because they have flesh and bone and muscles." He stated that the MUTOs aren't literally giant insects, despite their designs being inspired by arthropods such as beetles and spiders, but admitted that their silhouettes "definitely look like insects." The MUTOs' bodies are predominately grayish-black, with the male sporting predominant light markings. Their head is shaped similarly to Gyaos: long and triangular with the tops of their heads flat. They possess triangular jaws with seemingly degenerated rows of sharp teeth. The MUTOs have sort of "mandibles" in their lower jaws capable of separating slightly, similar to Shin Godzilla. The female MUTO has two pairs of forelimbs and a smaller pair on her chest, being just smaller than Godzilla. The smaller male MUTO is nearly identical in its physique except that one of the two forelimb p...
As prehistoric parasites, the MUTOs' sole goals revolve around consuming radiation and reproduction. The male actively seeks out radiation on which to feed after emerging from his chrysalis. When he encounters Godzilla for the first time, he reacts with hostility and becomes defensive, attacking him whenever an opportunity becomes available and evading when possible. The female, once the male had matured enough, awakened from her dormancy and traversed through Las Vegas and other environments to meet with the male, who brought with him a nuclear warhead as a sign of courtship for their eggs to feed upon. She seemed to exhibit pain when laying her eggs in her nest in San Francisco, and became hostile and defensive when Godzilla appeared and fought with him alongside the male MUTO to defend their nest. Meanwhile, the male attacked Godzilla whenever the female MUTO was overpowered, indicating a protectiveness for her and holding Godzilla off until the female recovered. As a team, the M...
The MUTOs are ancient parasites that come from the same era and ecosystem as Godzilla. Much like him, the MUTOs feed off of radiation. However, unlike the surviving Godzilla, who adapted to live at the bottom of the ocean and feed off the planet's natural radiation, the MUTOs are actively drawn to sources of man-made radiation such as nuclear warheads and energy plants. As revealed in Godzilla: Aftershock, the official graphic novel prequel to Godzilla: King of the Monsters, the MUTOs are the offspring of a Titan dubbed MUTO Prime. MUTO Prime infected a member of Godzilla's species, known to the ancients as Dagon and designated Species 5146_Adam by Monarch, with its parasitic eggs which implanted into its stomach lining and broke down the hemoglobin in its blood to feed on the nuclear radiation. After the host died due to being unable to replenish its nuclear energy, the spores continued to grow within its carcass, which was eventually buried deep within an underground cavern in the...
The MUTOs utilize echolocation to communicate, find a source of radiation and locate one another.
The male MUTO is able to unleash electromagnetic pulses from his claws, which can disable electric apparatuses in a five-mile-wide radius. The female can instead surround herself with an EMP field, labeled the "Sphere of Influence" by the news, which performs the same function. There doesn't appear to be any limit to how often either MUTO can use their EMP abilities. 1. The male uses his EMP in Hawaii In Godzilla: The Official Movie Novelization, it is explained that the MUTOs' EMP ability ev...
The male MUTO has wings which he can use to fly. The speed at which he can fly is undetermined.
By 2019, the remains of MUTO Prime and both the male and female MUTOs were being dissected inside of Monarch Outpost 54 in Bermuda.As in the film, the Queen MUTO is among the Titans who bow before Godzilla in Boston, although she is described as having six legs instead of eight.
A MUTO roar first appeared as an MP3 file hidden in the official Godzilla site. It played upon loading the main page, though it was largely drowned out by Godzilla's roar. Many of the MUTOs' roars are deep and blaring with occasional crackles and snapping noises. On occasion, they make trumpet-like cries and groans similar to creaking doors or Geiger counters. The male and female vocalizations are slightly different; the male emits higher-pitched calls and shrieks, while the larger female's roars are deeper.The MUTOs are the first American-made kaiju to be specifically created for a Godzilla film, not counting the Gryphon from the unmade 1994 American Godzilla film, and the TriStar Godzilla from the 1...The MUTOs' role in Legendary Pictures' Godzilla as Godzilla's enemies somewhat mirrors that of the Gryphon from the scrapped 1994 American Godzilla film. In both stories, the military initially con...The MUTOs are Godzilla's first completely original opponent since Titanosaurus in Terror of Mechagodzilla. Every other enemy Godzilla has fought since then are either enemies he has fought before,...A MUTO skull makes a brief appearance in Pacific Rim Uprising, during the scene where Hermann Gottlieb examines PPDC records in search of a match for the image Mako Mori transmitted.
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Godzilla is consistently referred to as "Gojira" (ゴジラ) by the character Ishiro Serizawa, although other characters eventually begin referring to him by his English name "Godzilla." Godzilla: Awakening reveals that "Gojira" is a name from Pacific island myths, and is applied to the monster by Serizawa's father Eiji, the scientist who discovered him. Monarch gave Godzilla's species the designation "Species 5146_Adam" after uncovering and analyzing the skeleton of another member of his kind. In Godzilla: King of the Monsters, Godzilla is given the Titan designation Titanus Gojiraby Monarch. The form Godzilla takes on in the climax of Godzilla: King of the Monsters as he reaches critical mass is given the name Burning Godzilla (バーニング・ゴジラ, Bāningu Gojira), the same name used for Godzilla's critical state from Godzilla vs. Destoroyah, in the short "Monster 101" bonus feature focused on the monster. Michael Dougherty refers to it as such during his audio commentary of the film, but alterna...
Monarch describes Godzilla's behavior as that of a "protector," calling him an "ancient guardian of the natural world."While Monarch initially considered Godzilla to be a threat, it now considers him the potential greatest defender of the planet, as he emerges to battle any aggressors which threaten the balance of nature. Whenever Godzilla is not enraged and in combat, Monarch describes him as "slow, graceful, inquisitive even." In Legendary Pictures' Godzilla, Godzilla's behavior seems to be that of a territorial animal. Ishiro Serizawa theorizes Godzilla is the driving force to restore balance to nature whenever that balance is disrupted, suggesting that he essentially considers the entire Earth to be his territory. However, unlike previous incarnations, he doesn't blatantly attack or plow through ships at sea simply because they are there. In fact, with larger ships like aircraft carriers, he simply dives down under them. Even when he is attacked by the military, he doesn't notic...
In Godzilla: Awakening, the prequel to Legendary Pictures' Godzilla, Godzilla was explained to be an ancient life form from the Permian period, having survived various extinction events by consuming geothermal radiation in a hibernation-like state at the bottom of the sea. Godzilla was theorized by Ishiro Serizawato have been the alpha predator of his ecosystem and prevented the other species from overpopulating and overrunning the world, acting as a force of nature that maintained balance.
The MonsterVerse Godzilla retains the character's trademark atomic breath. While he seems to use it as a weapon of last resort rather than as his primary weapon in his battle with the MUTOs, he uses it more frequently in his battles with King Ghidorah. When Godzilla charges his atomic breath, he draws energy from his bio-nuclear circulatory system which activates when he is threatened. This triggers a neutron flux that manifests as a blue glow which slowly moves from the tip of his tail up hi...
Godzilla possesses a symbiotic bond with Mothra. The two are able to communicate using sonar over great distances, with Mothra using this ability to locate Godzilla and lead Monarch to his location to revive him. After King Ghidorah disintegrates Mothra with his Gravity Beams, her life energy rains down into the wounded Godzilla, imbuing him with increased power that causes his skin to crack and glow orange while emitting incredibly intense heat. In this empowered state, known as Burning Godz...
The MonsterVerse Godzilla possesses a variation of the character's nuclear pulse ability, which he uses in his final confrontation with MUTO Prime. Once MUTO Prime is stunned by the ORCA, Godzilla lifts it onto his back and fires a concentrated shockwave of atomic energy from his shattered dorsal plates. This pulse launches MUTO Prime into the air and renders it helpless enough for Godzilla to finish it off by crushing its head. Godzilla utilizes a more powerful version of the attack in his f...
When creating Godzilla's new roar, sound designers Erik Aadahl and Ethan Van der Ryn embarked on a process of experimentation similar to the development of Godzilla's roar for the original 1954 film. They tried animal sounds, and reproduced the glove-on-strings method used to create the original Godzilla roar, but were not happy with the results. They spent six months over a three-year period trying to create a roar that would fit the new Godzilla, using scientific microphones that record above the range of human hearing and then taking the ultrasonic sounds and pitching and slowing them down. In Godzilla: King of the Monsters, Godzilla's roars are merged with various classic roars from the Showa era, including the roar from the 1954 film at one instance. In-universe, Godzilla's roar can be heard for three milesand can reach a maximum volume of 174 decibels.The MonsterVerse Godzilla was at one point the tallest incarnation of Godzilla to appear in a film, but his height was exceeded by the Godzilla from Shin Godzilla two years later. For Godzilla: Kin...In Godzilla: King of the Monsters, the pounding sound Godzilla's dorsal fins make when they flash is taken from King Kong's weakening heartbeat from the final scene of the 1976 film.This Godzilla's fighting style and movements were primarily based on bears and komodo dragons.This is the first Godzilla to be portrayed by motion-capture, and the second to be primarily computer-generated, after the TriStar Godzilla.
Jan 04, 2021 · The Angry Video Game Nerd is an Internet series based on a fictional character, the "Nerd", created and portrayed by James D. Rolfe. In each episode, the Nerd reviews a terrible video game and rants about it using profane language.
Dec 31, 2020 · Das Beste aus den Original Karl May Filmmelodien (Polydor - 16 tracks) Deutsche Filmkomponisten, Folge 1 (Bear Family Records BCD 16481 AR - 30 tracks) Giovanni Bottesini. Un Monde Presque Paisible (Milan 301 569 - 14 tracks, 56:17) Chris Bouchard. Revelations (from website mp3s - 27 tracks, 37:54) David Bowie