2003
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Rob's first break into film composing was the independent feature Westender in 2003. In 2004 he teamed up with composer Mychael Danna and has provided additional music and arrangements on Surf's Up, Fracture, Moneyball, and the Oscar-winning Life of Pi. Simonsen and Danna co-wrote the score of (500) Days of Summer, and Joss Whedon 's television ...
Nov 22, 2021 · Rob Simonsen and Muncher (Afterlife's answer to Slimer) Courtesy of @36neex & Sony Pictures. When Jason Reitman decided to make a Ghostbusters film that would serve as a direct follow-up to the ...
Nov 27, 2018 · Rob Simonsen is the evocative composer who has crafted diverse musical worlds for noteworthy films and television series including Tully, The Age of Adaline, Love, Simon, Nerve, The Upside, Father Figures, Gifted, Burnt, The Spectacular Now, Foxcatcher, Life in Pieces, and Seeking a Friend for the End of the World.
Feb 13, 2023 · Rob Simonsen image via A24 Below the Line: Before we get into The Whale , I’d love to know more about your background and how you got into scoring music. Ron Simonsen: I played piano, mostly by ear, when I was young, growing up, and then took some piano lessons and eventually got into playing more jazz in high school and college.
Apr 21, 2020 · Rob Simonsen is a composer who has worked on various film scores, from pop to sports. He talks about his latest score for The Way Back, a sports drama starring Ben Affleck, and how it showcases his piano skills and sound design. He also shares his insights on his career, his influences, and his upcoming projects.
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Who is Rob Simonsen?
Rob Simonsen. Rob Simonsen is a singular composer, solo artist and co-founder of composer collective The Echo Society. Simonsen has paved his own musical path, and through years of education and experimentation, crafted a voice that both respects music traditions and explores new bounds. His body of work traverses genres, from Oscar-nominated ...
Nov 22, 2021 · The composer of the new Ghostbusters film shares his inspirations, challenges, and techniques for creating a mid-Eighties-inspired score. Learn how he used the original score, the ondes Martenot, and the Ghostbusters theme in a new context.
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