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  1. Roberto Rossellini

    Roberto Rossellini

    Italian film director

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  1. A founder of Italian neorealism, Roberto Rossellini brought to filmmaking a documentary-like authenticity and philosophical stringency that changed the course of film history. Rossellini broke out with ROME OPEN CITY, a shattering and vivid chronicle of the Nazi occupation of Italy’s capital, fol...

  2. May 17, 2018 · Director Roberto Rossellini (1906-1977) was responsible for revitalizing Italian cinema after World War II with his neo-realist films, especially Roma, Citta Aperta ( Rome, Open City; 1945). After a long, somewhat uneven career in cinema, Rossellini spent his last creative years working in television, one of the first important film directors ...

  3. Mar 13, 2023 · Roberto Rossellini was one of the most important post-World War II directors, known for masterpieces like Europe '51, Germany Year Zero, and Paisan. Collider Menu

  4. Roberto Rossellini is one of the most influential filmmakers of all time. And it was with his trilogy of films made during and after World War II—Rome Open City, Paisan, and Germany Year Zero—that he left his first transformative mark on cinema.

  5. May 6, 2013 · Journey To Italy: the Italian film that kickstarted the French New Wave. Roberto Rossellini's half-improvised neo-realist masterpiece uses the ruins of Pompeii as an unforgettable metaphor for a ...

  6. Feb 2, 2022 · In this personal tribute to Roberto Rossellini, the subject of recent retrospectives and the father of neorealism (and more), Isabella creates imaginary conversations between herself, her papa, producer David O. Selznick, Federico Fellini, Alfred Hitchcock, Charlie Chaplin and her mother, Ingrid Bergman -- with the actress/daughter playing all ...

  7. Nov 15, 2006 · Roberto Rossellini (b. Italy, 1906–1977) is a key artist of the mid-twentieth century whose contribution to cinema—particularly in his stunning adaptations of Neorealist strategies ( Rome Open City [1945], Paisan [1946])—is inestimable and whose influence on other directors, such as Jean-Luc Godard and Martin Scorsese, is profound.

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