Roma città aperta
1945
Search results
Roberto Gastone Zeffiro Rossellini (8 May 1906 – 3 June 1977) was an Italian film director, screenwriter and producer. He was one of the most prominent directors of the Italian neorealist cinema, contributing to the movement with films such as Rome, Open City (1945), Paisan (1946), and Germany, Year Zero (1948).
Apr 4, 2024 · Roberto Rossellini was one of the most widely known post-World War II motion-picture directors of Italy. His films Roma città aperta (1945; Open City) and Paisà (1946; Paisan) focussed international attention on the Italian Neorealist movement in films.
The master filmmaker Roberto Rossellini, as one of the creators of neo-realism, is one of the most influential directors of all time. His neo-realist films influenced France's nouvelle vague movement in the 1950s and '60s that changed the face of international cinema.
May 17, 2018 · Director Roberto Rossellini (1906-1977) was responsible for revitalizing Italian cinema after World War II with his neo-realist films, especially Roma, Citta Aperta ( Rome, Open City; 1945). After a long, somewhat uneven career in cinema, Rossellini spent his last creative years working in television, one of the first important film directors ...
A founder of Italian neorealism, Roberto Rossellini brought to filmmaking a documentary-like authenticity and philosophical stringency that changed the course of film history. Rossellini broke out with ROME OPEN CITY, a shattering and vivid chronicle of the Nazi occupation of Italy’s capital, fol...
Nov 15, 2006 · Roberto Rossellini (b. Italy, 1906–1977) is a key artist of the mid-twentieth century whose contribution to cinema—particularly in his stunning adaptations of Neorealist strategies (Rome Open City [1945], Paisan [1946])—is inestimable and whose influence on other directors, such as Jean-Luc Godard and Martin Scorsese, is profound.
Roberto Rossellini is one of the most influential filmmakers of all time. And it was with his trilogy of films made during and after World War II—Rome Open City, Paisan, and Germany Year Zero—that he left his first transformative mark on cinema.
