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  1. en.wikipedia.org › wiki › Rohan_SippyRohan Sippy - Wikipedia

    Rohan Sippy is an Indian film director and producer, he worked as a director in films like Kuch Naa Kaho (2003), Bluffmaster! (2005), Dum Maaro Dum (2011) and Nautanki Saala (2013). Early life. He is the son of Ramesh Sippy, the director of the Hindi blockbuster film Sholay, and grandson of producer G. P. Sippy.

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    • G. P. Sippy (grandfather)
  2. www.imdb.com › name › nm1391682Rohan Sippy - IMDb

    Director: Wakaalat from Home. Rohan Sippy is a trustee/member of the MAMI Mumbai Film Festival. He is also a director and producer based in Mumbai. He is best known for directing Bluffmaster (2005), Dum Maaro Dum (2011), and Nautanki Saala (2013).

    • India
    • Rohan Sippy
    • Director, Producer, Writer
  3. Nov 21, 2021 · The series is produced by Roy Kapur Films and Ramesh Sippy Entertainment, Showrun by Rohan Sippy, Directed by Vinay Waikul and Written by Charudutt Acharya. The trailer launched today gives us a sneak peek into the world of Aranyak with glimmers of murder, mystery and mayhem lying ahead.

  4. Nov 25, 2023 · 1x 1.5x 1.8x. Filmmaker Rohan Sippy, the director of films like Kuch Naa Kaho (2003), Bluffmaster! (2005) and Dum Maaro Dum (2011) recently helmed Duranga 2, the second installment of Zee5’s Duranga, starring Gulshan Devaiah and Amit Sadh. In this interview with indianexpress.com, the filmmaker opens up about why he’s stayed away from ...

    • 153
  5. Producer Rohan Sippy, who comes from a filmmaking family, discusses the realities of filmmaking and getting beyond the glamour.#Dolby #BTS #RohanSippySUBSCR...

    • Jun 20, 2015
    • 274
    • Dolby
  6. Filmmaker Rohan Sippy has been quite active on the OTT front. After creating the Raveena Tandon-starrer Aranyak, and directing the recent series Mithya with Huma Qureshi, he has a comedy show...

  7. May 21, 2009 · In an interview with India Knowledge at Wharton, Sippy discusses the impact of these changes on Bollywood, the prospects for a global film industry in India, and why independent filmmaking still ...

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