Brad Pitt
Detective David Mills
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Seven (often stylized as Se7en) [1] is a 1995 American crime thriller film directed by David Fincher and written by Andrew Kevin Walker. It stars Brad Pitt, Morgan Freeman, Gwyneth Paltrow, and John C. McGinley. Set in an unnamed, crime-ridden city, Seven ' s narrative follows disenchanted, nearly retired detective William Somerset (Freeman ...
- $33–34 million
- Howard Shore
- September 22, 1995
Sep 22, 1995 · Two detectives (Morgan Freeman, Brad Pitt) hunt a serial killer (Kevin Spacey) who uses the seven deadly sins as his motives. IMDb provides cast and crew information, user and critic reviews, trivia, goofs, quotes, and more for this R-rated film.
- David Fincher
- 65
- 2 min
A film about two detectives tracking down a serial killer who uses the seven deadly sins as his motives. The movie follows their investigation of a series of murders linked to the Seven Deadly Sins, from Gluttony to Sloth, and their confrontation with a mysterious and sadistic killer.
Jay Carr Boston Globe When Seven, with its velvety world of bottomless evil, taps you on the shoulder, your instinct will be to dive under the theater seat. Mar 29, 2024 Full Review Michael H ...
- (86)
- David Fincher
- R
- Brad Pitt
Jan 31, 2024 · Learn how the serial killer John Doe's plan and the final twist of Se7en, one of the most shocking movie endings. Find out what was in the box, why Mills killed Doe, and how Somerset changed his mind.
- Colin Mccormick
Sep 22, 1995 · A dark and gruesome film about a serial killer who uses the Seven Deadly Sins as his motifs for his crimes, and two detectives who try to catch him. Read Roger Ebert's review of the film, which he praises for its style, atmosphere and intelligence, but criticizes for its ending.
Jul 18, 2011 · A dark and merciless thriller about a serial killer who targets the Seven Deadly Sins. The film explores the characters of two detectives, one old and experienced, one young and inexperienced, who face death and horror in a city of rain and gloom. The reviewer praises the film's use of literature, symbolism, and acting, but criticizes its ending.
