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  1. Salo, or the 120 Days of Sodom

    Salo, or the 120 Days of Sodom

    X1976 · Drama · 1h 57m

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  1. Jan 10, 1976 · Salò, or the 120 Days of Sodom: Directed by Pier Paolo Pasolini. With Paolo Bonacelli, Giorgio Cataldi, Uberto Paolo Quintavalle, Aldo Valletti. In World War II Italy, four fascist libertines round up nine adolescent boys and girls and subject them to 120 days of physical, mental, and sexual torture.

    • (64K)
    • Drama
    • Pier Paolo Pasolini
    • 1976-01-10
  2. The film focuses on four wealthy, corrupt Italian libertines in the time of the fascist Republic of Salò (1943–1945). The libertines kidnap 18 teenagers and subject them to four months of extreme violence, sadism, genital torture and psychological torture.

  3. Jun 12, 2023 · Salò, or The 120 Days of Sodom (1976) Trailer Remastered HD - YouTube. CARLOS APOLO - TRAILERS GEEK. 4.41K subscribers. Subscribed. 402. 171K views 11 months ago. Four fascists kidnap young men...

    • Jun 12, 2023
    • 170.7K
    • CARLOS APOLO - TRAILERS GEEK
  4. A controversial film by Pier Paolo Pasolini based on the Marquis de Sade's novel, set in Fascist Italy during World War II. The film explores the themes of torture, degradation, and sexuality in a shocking and provocative way.

    • Duke
  5. A controversial film by Pier Paolo Pasolini based on the Marquis de Sade's novel. It depicts the torture and perversion of young men and women by four fascists in a dystopian Italy.

    • (1.6K)
    • Paolo Bonacelli
    • Pier Paolo Pasolini
    • Drama
  6. In the northern Italian Republic of Salò, a Nazi-controlled puppet state, the town's four most wealthy, powerful, and decadent members--The Duke, The Bishop, The Magistrate, and The President--herd the finest specimens of young men and women into a palatial villa.

  7. Dec 26, 2023 · Pier Paolo Pasolini's controversial film adapts the Marquis de Sade's text and sets it in Nazi-occupied Italy, where a group of teenagers are tortured by a fascist cabal. The film is a critique of modern culture, war, and power, and a shocking example of arthouse, political horror, and exploitation cinema.

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