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  1. Simon Schama's Power of Art

    Simon Schama's Power of Art

    2006 · Art · 1 season

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  1. Episode Guide


  2. Simon Schama's Power of Art: With Simon Schama, Allan Corduner, Paul Popplewell, Grégoire Bonnet. Focusing on eight iconic works of art, Power of Art reveals the history of visual imagination through the ages.

    • (1.1K)
    • 2006-10-20
    • Documentary, Drama, History
    • 60
  3. Silvia Sacco. Simon Schama. Simon Schama's Power of Art is an eight-part BBC TV mini-series examining the works of eight artists, the context surrounding one of their works and the message they intended to convey with these. It was written, created, narrated, and presented by Simon Schama. The series was first broadcast in October 2006 on BBC2 ...

    • Simon Schama
    • Art History
    • Clare Beavan, Steve Condie, Carl Hindmarch, David Belton, James Runcie
    • Simon Schama
  4. It is a series about the force, the need, the passion of art. ...the power of art. Presenter Simon Schama introduces his choice of artists and artworks from the TV series and tells us why art ...

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  6. Simon Schama's Power of Art. Home. Episodes. Clips. Documentary series in which historian Simon Schama recounts the story of eight moments of high drama in the making of eight artistic masterpieces.

  7. Simon Schama's Power of Art. Season 1. Art is so much more than pretty pictures. It has power to move, to shock, to inform and to transform. In this groundbreaking and award-winning series, art historian Simon Schama attempts to illustrate the sheer force of the visual image via eight iconic masterpieces.

  8. It has the power to move, shock, inform and transform. In this groundbreaking and award-winning BBC miniseries, art historian Simon Schama attempts to illustrate the sheer force of the visual image via eight iconic masterpieces. These works were often derided or dismissed when first created, but they went on to change the way we look at the world.

  9. S1.E5 ∙ Turner. Fri, Nov 17, 2006. Simon argues The Slave ship, one of 7 of his works causing a scandal at the 1840 Royal Academy exhibition, is typical of Turner's feeling from experience, as low-born Covent garden boy affected by family tragedy, for the common man, even prominent in his epic works, deliberately unpolished for grim effect.

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