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  1. Brief Life History of Sol C. Sol C Siegel was born on 30 March 1903, in New York City, New York, United States. He married Ruth Shor in 1932. In 1934, his occupation is listed as film producer. He died on 28 December 1982, in Beverly Hills, Los Angeles, California, United States, at the age of 79, and was buried in Hillside Memorial Park ...

  2. Sol C. Siegel; Category contains: film (Sol C. Siegel) Sol C. Siegel; American film producer (1903-1982) ...

  3. Sol C. Siegel (March 30, 1903 – December 29, 1982) was an American film producer. Two of the numerous films he produced, A Letter to Three Wives (1949) and Three Coins in the Fountain (1954), were nominated for the Academy Award for Best Picture.

  4. The story was purchased by Twentieth Century Fox in April 1949 and the studio assigned Sol C. Siegel to produce. In August 1949, Fox said that the team of James Gow and Arnaud D'asseu, who had written the Broadway hit Tomorrow the World, would write the script. In January 1950, Fox assigned screenwriter John Paxton to write the script.

  5. Three Faces West is a 1940 American drama film directed by Bernard Vorhaus and starring John Wayne, Sigrid Gurie and Charles Coburn. [1] The film, mainly set in North Dakota was one of a handful of overtly anti-Nazi films produced by Hollywood before American entry into World War II. [2] Isolationists and Nazi sympathizers condemned other ...

  6. 71 minutes. Country. United States. Language. English. Should Husbands Work? is a 1939 American comedy film directed by Gus Meins and written by Taylor Caven and Jack Townley. The film stars James Gleason, Lucile Gleason, Russell Gleason, Harry Davenport, Berton Churchill and Marie Wilson. The film was released on July 26, 1939, by Republic ...

  7. Welcome Stranger is a 1947 film directed by Elliott Nugent and starring Bing Crosby, Barry Fitzgerald, and Joan Caulfield. It was filmed in Hollywood with location shots at Munz Lakes during March to May 1946. Elliott Nugent appeared in one scene as a doctor sent to examine Barry Fitzgerald and that scene was directed by Billy Wilder.

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