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  1. Sorry, Wrong Number

    Sorry, Wrong Number

    1948 · Thriller · 1h 29m

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  1. Sorry, Wrong Number is a 1948 American thriller and film noir directed by Anatole Litvak, from a screenplay by Lucille Fletcher, based on her 1943 radio play of the ...

    • $2.8 million (U.S. rentals)
    • Franz Waxman
    • September 1, 1948
  2. Leona Stevenson is an alluring, wealthy, irritating hypochondriac whose psychosomatic illness has her bedridden. Leona's only lifeline is the telephone, which she uses to excess. One evening, Leona impatiently tries to locate her henpecked husband Henry who is late coming home. However, when phone lines cross, she overhears two thugs plotting a ...

  3. Sorry, Wrong Number (1948) cast and crew credits, including actors, actresses, directors, writers and more.

  4. Jul 22, 2020 · This is both, one of my favorites of, Barb and Burt, and the movie has a great storyline, allowing the tragic nature of both personas, to crash together like cymbals! I'm not sure who ended up most tragic, although Barb's tragic end was by way of Burt's big plans, she still put herself "in the noose" so to speak, by way of her entire life of ...

    • 89 min
    • 9.8K
    • Felicity Dungworth
  5. Rated 3.5/5 Stars • Rated 3.5 out of 5 stars 11/05/23 Full Review Audience Member Sorry wrong number Out of all the Stanwyck movies this is my least favorite. Even though it tries to build up ...

    • (221)
    • Barbara Stanwyck
    • Anatole Litvak
    • Paramount Pictures
  6. Wealthy New York invalid Leona Cotterell Stevenson's lifeline is the telephone. Consequently, when she is left alone after her maid departs and gets a continuous busy signal from her husband Henry's office, she becomes worried and asks a telephone operator to connect her.

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  8. If you are into nail biting suspense in your movies look no further than SORRY,WRONG NUMBER. An excellently structured climactic noir thriller made by Paramount Pictures in 1948. Produced by Hal Wallis and director Anotole Litvak it bears all the hallmarks of what was best in Hollywood's Golden Age when it came to producing great thrillers.

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