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  1. Stacie Passon

    Stacie Passon

    American film director and screenwriter

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  1. Stacie Passon (born October 1, 1969) is an American film director, screenwriter and producer whose first film, Concussion, was premiered at the 2013 Sundance Film Festival and subsequently won a Teddy Award Jury Prize at the 2013 Berlin International Film Festival.

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    • Columbia College Chicago
    • 1995–present
  2. www.imdb.com › name › nm4945419Stacie Passon - IMDb

    Stacie Passon. Director. Producer. Writer. IMDbPro Starmeter See rank. Stacie Passon is known for Concussion (2013), The Society (2019) and The Punisher (2017). More at IMDbPro. Contact info. Agent info. Resume. Add to list. Awards. 4 wins & 7 nominations. Photos 7. Known for. Concussion. 5.6. Director. 2013. The Society. 7.1. TV Series.

    • Director, Producer, Writer
    • Stacie Passon
  3. Sep 25, 2018 · Stacie Passon, director of “We Have Always Lived in the Castle,” sharply channels the author’s atmosphere of dread, paranoia, and isolation, making the past feel prescient.

  4. We Have Always Lived in the Castle is a 2018 American mystery thriller film directed by Stacie Passon, written by Mark Kruger, and starring Taissa Farmiga, Alexandra Daddario, Crispin Glover, and Sebastian Stan. It was based on the 1962 novel of the same name by Shirley Jackson.

  5. May 17, 2019 · We Have Always Lived in the Castle: Directed by Stacie Passon. With Taissa Farmiga, Alexandra Daddario, Crispin Glover, Sebastian Stan. Merricat, Constance and their Uncle Julian live in isolation after experiencing a family tragedy six years earlier.

    • (8.9K)
    • Stacie Passon
    • Not Rated
    • Drama, Horror, Mystery
  6. May 17, 2019 · May 17, 2019 12:29pm. Bernard Walsh. Two young women challenge the presumptions of patriarchy in Stacie Passons ’60s-set We Have Always Lived in the Castle, adapted from the novel by Shirley...

  7. May 16, 2019 · Possibly even murderous. Under Stacie Passons precise direction, this gothic fable of isolation and violence expertly treads a fine line between tragedy and camp.

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