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  1. Mar 21, 2013 · Watch the TRAILER REVIEW: http://goo.gl/TIlQmSubscribe to TRAILERS: http://bit.ly/sxaw6hSubscribe to COMING SOON: http://bit.ly/H2vZUnLike us on FACEBOOK: ht...

    • Mar 21, 2013
    • 3.6M
    • Rotten Tomatoes Trailers
  2. Jun 16, 2014 · With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one man weapon of mass destruction. As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.

  3. Star Trek Into Darkness is a 2013 American science fiction action film directed by J. J. Abrams and written by Roberto Orci, Alex Kurtzman, and Damon Lindelof. [3] It is the 12th installment in the Star Trek franchise and the sequel to the 2009 film Star Trek, as the second in a rebooted film series. It features Chris Pine reprising his role as ...

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  5. Star Trek Into Darkness (Plus Bonus Features) When a ruthless mastermind, Khan (Benedict Cumberbatch,) declares a one-man war on the Federation, Captain Kirk (Chris Pine), Spock (Zachary Quinto), and the crew of the U.S.S. Enterprise set out on their most explosive manhunt of all time. Plus get an inside look with two behind-the-scenes featurettes.

    • 146 min
  6. Oct 30, 2022 · The ending of Star Trek Into Darkness was an action-packed but bewildering spectacle that played like a funhouse mirror version of Star Trek II: The Wrath of Khan where the roles of Captain Kirk (Chris Pine) and Spock (Zachary Quinto) were strangely reversed. After Khan (Benedict Cumberbatch) killed Admiral Alexander Marcus (Peter Weller), he ...

  7. Apr 23, 2013 · Star Trek Into Darkness is a hell of a lot of fun, maintaining such constant velocity that by the time you've half-formed a criticism in your head it's swept away by the next plot-twist or action ...

  8. May 16, 2013 · For all its sloppiness and blind spots and fanboy pirouettes, though, "Star Trek Into Darkness" is still an involving film with more heart than most summer blockbusters. Abrams’ roots in TV ( Felicity, Alias, Lost) seem to have made him attentive to the dynamics of groups, and to the repeated phrases and gestures that bond viewers to characters.

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