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  1. Sterling Allen Brown (May 1, 1901 – January 13, 1989) was an American professor, folklorist, poet, and literary critic. He chiefly studied black culture of the Southern United States and was a professor at Howard University for most of his career.

  2. Sterling Allen Brown devoted his life to the development of an authentic black folk literature. A poet, critic, and teacher at Howard University for 40 years, Brown was one of the first people to identify folklore as a vital component of the black aesthetic and to recognize its validity as a form…

  3. Sterling A. Brown. 1901 –. 1989. Read poems by this poet. Sterling Allen Brown was born in Washington, D.C., on May 1, 1901. He was educated at Dunbar High School and received a bachelor’s degree from Williams College and was elected to Phi Beta Kappa.

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  5. Sep 29, 2007 · Sterling A. Brown (1901-1989) Born on the campus of Howard University on May 1, 1901, Sterling Allen Brown was the last of six children and the only boy born to the Rev. Sterling Nelson, a former slave and prominent professor in the Howard Divinity School, and Adelaide (Allen) Brown.

  6. In full: Sterling Allen Brown. Born: May 1, 1901, Washington, D.C., U.S. Died: Jan. 13, 1989, Takoma Park, Md. (aged 87) Sterling Brown (born May 1, 1901, Washington, D.C., U.S.—died Jan. 13, 1989, Takoma Park, Md.) was an influential African-American teacher, literary critic, and poet whose poetry was rooted in folklore sources and black dialect.

    • The Editors of Encyclopaedia Britannica
  7. May 18, 2018 · Encyclopedia of World Biography. Sterling Brown 1901— Writer, folklorista educator At a Glance… [1] Discovered “People’s Poetry” of the South [2] A “Sparkling” Professor [3] Artistic Recognition [4] Folklorist and Critic [5] Selected writings [6] Sources [7] Though he has often been called a writer of the Harlem Renaissance [8]—a.

  8. Though he is one of the lesser-known heroes of the Harlem Renaissance, Sterling Brown was one of the period’s most important ethnographers and one of few scholars in his time who treated Negro spirituals and other forms of Black music as valid art forms.

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