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  1. › visit › tate-britainTate Britain | Tate

    Welcome to Tate Britain. Entry remains free for everyone, with a charge for some exhibitions. Advance booking is recommended, particularly for exhibitions as they may sell out, but tickets for both the collection route and exhibitions are often available on the door.

  2. The Tate Britain is one of the four Tate galleries in England, and has to be one of the country’s finest art galleries. The gallery has certainly had a major impact on the London art scene for more than 100 years, and rightly so as it’s collection of British art since the 1500s is phenomenal.

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    • Millbank, London, SW1P 4RG
  3. › wiki › Tate_BritainTate Britain - Wikipedia

    Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. It is part of the Tate network of galleries in England, with Tate Modern , Tate Liverpool and Tate St Ives .

  4. Tate Britain is devoted to one of the world’s best collections of British art from the 16th century to the present day. The 70,000 works in the collection represent 500 years of the U.K.’s greatest and most beloved artists – and many less-familiar figures who are a joy to discover.

    • Millbank London SW1P 4RG United Kingdom
    • Ophelia – Sir John Everett Millais, 1851-2. Millais’ haunting depiction of this doomed Shakespearean heroine is nothing short of iconic. It captures the moment from Hamlet when Ophelia, driven mad by the fact that her lover has murdered her father, drowns herself in a stream.
    • Draped Seated Woman – Henry Moore, 1957-8. With its beautiful drapery this sculpture recalls ancient antiquity, while also enforcing Moore’s specific strand of modernism.
    • Chair – Allen Jones, 1969. The British pop artist’s controversial ‘furniture’ series has caused outrage for its fetishisation of the female body, ever since the three pieces were first exhibited in 1970.
    • The Pond – LS Lowry, 1950. The name LS Lowry is synonymous with industrial British scenes populated with his characteristic ‘matchstick men’. Although his paintings were rooted in realism, depicting the lives ordinary communities in urban Northern towns dominated by factories, he actually preferred to work straight onto a blank canvas, building motifs as he went along.
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