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Tenement (also known as Game of Survival and Slaughter in the South Bronx) is a 1985 American exploitation thriller film directed by Roberta Findlay. [1] The film follows the violent chaos that ensues when the tenants of an apartment house in a South Bronx slum rise up against the brutal, drug-pushing street gang that attempts to take over ...
- William Fischer, Walter E. Sear
- 1985
- Walter E. Sear
- Roberta Findlay
Sep 20, 1985 · Tenement: Directed by Roberta Findlay. With Joe Lynn, Mina Bern, Walter Bryant, Corinne Chateau. A drug selling and violent street-gang terrorize the renters of a big trashy apartment-house.
- Roberta Findlay
- 1
- 40 sec
Roberta Findlay's exploitation vigilante film is a gritty nightmare involving violent street gangs, seedy neighbourhoods, and a whole lotta despicable acts. And all of this occurs while a funky prog rock score guides us through all the mayhem. 80s New York is on full display with its shady alleyways, dingy apartment buildings and crime ridden ...
- (1.5K)
- Laurel Films
- Roberta Findlay
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United States. Language. English. The film follows the violent chaos that ensues when the tenants of an apartment house in a South Bronx slum rise up against the brutal, drug-pushing street gang that attempts to take over their apartment and terrorize them.
A drug-dealing band of violent street thugs terrorize the tenants of a South Bronx apartment building. Videos: Trailers, Teasers, Featurettes. Cast. Joe Lynn. Sam Washington. Mina Bern. Ruth. Walter Bryant. Mr. Wesley. Corinne Chateau. Carol. Angel David. Poppo. Martha De La Cruz. Anna. Rhetta Hughes. Leona. Larry Lara.
- Sam Washington; Ruth; Mr. Wesley
- Roberta Findlay
- 1985
- 3
Walter Bryant. Mr. Wesley. Corinne Chateau. Carol. Rated: 2.5/5 • May 1, 2019. In Theaters At Home TV Shows. Advertise With Us. Ruthless street thugs prey on the residents of a New York apartment...
- Mystery & Thriller
In this respect, Tenement falls into step with the hateworks of Nick Zedd and Andy Milligan, members of New York's Underground/Exploitation cinema world. Unlike Milligan or the No-Wave, however, Findley instills this film with a level of technical competency that makes it highly watchable.