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Writer, poet, painter, art critic. Literary movement. Parnassianism, Romanticism. Signature. Pierre Jules Théophile Gautier ( US: / ɡoʊˈtjeɪ / goh-TYAY, [1] French: [pjɛʁ ʒyl teɔfil ɡotje]; 30 August 1811 – 23 October 1872) was a French poet, dramatist, novelist, journalist, and art and literary critic .
Mar 5, 2024 · Théophile Gautier (born August 31, 1811, Tarbes, France—died October 23, 1872, Neuilly-sur-Seine) was a poet, novelist, critic, and journalist whose influence was strongly felt in the period of changing sensibilities in French literature—from the early Romantic period to the aestheticism and naturalism of the end of the 19th century.
Jules Pierre Théophile Gautier, né à Tarbes le 30 août 1811 [1] et mort à Neuilly-sur-Seine le 23 octobre 1872, est un poète, romancier et critique d'art français. Membre actif de l'école littéraire dite du Parnasse , il est notamment l'auteur d’ Émaux et Camées , de Mademoiselle de Maupin , du Roman de la momie et du Capitaine ...
French art critic, journalist, and fiction writer Théophile Gautier was born in 1811 and lived in Paris for most of his life. He attended the Collège Charlemagne, where he became friends with the poet Gérard de Nerval. Gautier was first interested in painting but turned to poetry and became an…
Théophile Gautier, (born Aug. 31, 1811, Tarbes, France—died Oct. 23, 1872, Neuilly-sur-Seine), French poet, novelist, critic, and journalist. He lived most of his life in Paris, where he initially studied painting. He insisted on the sovereignty of the beautiful in such works as the novel Mademoiselle de Maupin (1835).
Occupation (s): Writer, poet, painter, art critic. Literary movement: Parnassianism, Romanticism. Pierre Jules Théophile Gautier (August 30, 1811 – October 23, 1872) was a French poet, dramatist, novelist, journalist, and literary critic whose life spans two major phases in the development of French literature.
May 17, 2018 · World Encyclopedia. Théophile Gautier (tāôfēl´ gōtyā´), 1811–72, French poet, novelist, and critic. He was a leading exponent of art for art's sake—the belief that formal, aesthetic beauty is the sole purpose of a work of art.
