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  1. The 15:17 to Paris

    The 15:17 to Paris

    PG-132018 · Drama · 1h 34m

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  1. The 15:17 to Paris is a 2018 American biographical drama film produced and directed by Clint Eastwood and written by Dorothy Blyskal, based on the 2016 autobiography The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes by Jeffrey E. Stern, Spencer Stone, Anthony Sadler, and Alek Skarlatos.

    • $30 million
    • Anthony Sadler, Alek Skarlatos, Spencer Stone
  2. Feb 9, 2018 · The 15:17 to Paris: Directed by Clint Eastwood. With Ray Corasani, Alek Skarlatos, Anthony Sadler, Spencer Stone. Three courageous young Americans prevent a terrorist attack on a train bound for Paris.

    • (35K)
    • Biography, Drama, Thriller
    • Clint Eastwood
    • 2018-02-09
  3. Feb 9, 2018 · A film directed by Clint Eastwood about the real-life heroes who stopped a terrorist attack on a train in 2015. Critics and audiences are divided on the quality and effectiveness of the film, which features the actual participants as actors.

    • (1.1K)
    • Clint Eastwood
    • PG-13
    • Judy Greer, Jenna Fischer
  4. In the early evening of August 21, 2015, the world watched in stunned silence as the media reported a thwarted terrorist attack on Thalys train #9364 bound for Parisan attempt prevented by ...

    • Dec 13, 2017
    • 6.2M
    • Warner Bros. Pictures
  5. Director Clint Eastwood asked real people to play themselves in his new drama. Here's how accurate 'The 15:17 to Paris' really is.

  6. Summaries. Three courageous young Americans prevent a terrorist attack on a train bound for Paris. In the early evening of August 21, 2015, the world watched in stunned silence as the media reported a thwarted terrorist attack on Thalys train #9364 bound for Paris, an attempt prevented by three courageous young Americans travelling through Europe.

  7. Feb 9, 2018 · Clint Eastwood directs and edits the true story of three Americans who stopped a terrorist on a train to Paris in 2015. The film features the real heroes playing themselves, but suffers from awkward dialogue, flat acting and a dull first half.

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