Jean-Pierre Léaud
Antoine Doinel
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The 400 Blows ( French: Les quatre cents coups) is a 1959 French coming-of-age drama film, [3] and the directorial debut of François Truffaut, who also co-wrote the film. Shot in the anamorphic format DyaliScope, the film stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. One of the defining films of the French New Wave, [4] it ...
- François Truffaut, Georges Charlot
- Jean Constantin
- 4 May 1959 (France)
The 400 Blows: Directed by François Truffaut. With Jean-Pierre Léaud, Claire Maurier, Albert Rémy, Guy Decomble. A young boy, left without attention, delves into a life of petty crime.
- François Truffaut
- 257
- 1 min
Aug 8, 1999 · A poignant and affecting story of a young boy's life of crime and his love of cinema, based on Truffaut's own early experiences. The film shows Antoine Doinel's struggles with his parents, teachers, and social services, and his final escape to the sea, with a famous final shot of him looking directly into the camera.
A classic French New Wave film about a troubled Parisian boy, Antoine Doinel, played by Jean-Pierre Léaud. See the critics' and audience's ratings, watch the trailer, and learn more about the director, François Truffaut.
- (71)
- Jean-Pierre Léaud
- François Truffaut
- Les Films du Carrosse
Sep 21, 2022 · “The 400 Blows” has two stars. One is the then-14-year-old Jean-Pierre Léaud, who plays Truffaut’s alter ego, Antoine Doinel, and thus began a career as the embodiment of the French new wave.
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François Truffaut’s first feature is also his most personal. Told from the point of view of Truffaut’s cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), The 400 Blows (Les quatre cents coups) sensitively re-creates the trials of Truffaut’s own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime. The film marked Truffaut’s passage from ...
Mar 11, 2024 · The 400 Blows, French film drama, released in 1959, that defined the New Wave cinema movement created by young French directors in the late 1950s and ’60s. It was the first film in François Truffaut’s acclaimed Antoine Doinel series, which followed a character widely considered to be the director’s alter ego.
