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  1. English. Budget. $1,560,000 [1] Box office. $2.8 million [1] The Clock (UK title Under the Clock) is a 1945 American romantic drama film starring Judy Garland and Robert Walker and directed by Garland's future husband, Vincente Minnelli. This was Garland's first dramatic role, as well as her first starring vehicle in which she did not sing.

  2. The Clock: Directed by Vincente Minnelli, Fred Zinnemann. With Judy Garland, Robert Walker, James Gleason, Keenan Wynn. In 1945, during a 48-hour leave, a soldier accidentally meets a girl at Pennsylvania Station and spends his leave with her, eventually falling in love with the lovely New Yorker.

    • (3.9K)
    • Comedy, Drama, Romance
    • Vincente Minnelli, Fred Zinnemann
    • 1945-05-25
  3. New York came to life as never before in MGM's The Clock (1945), even though no scenes with any cast members were actually filmed in the Big Apple. Thanks to rear projection, ingenious art direction and the memories of director Vincente Minnelli, who had started his career as a designer and director there, MGM created one of the most vivid images of New York City life ever captured on screen.

  4. Jun 24, 2021. In Theaters At Home TV Shows. While on a two day leave in New York City, soldier Joe Allen (Robert Walker) meets secretary Alice Mayberry (Judy Garland) when she trips over him. They ...

    • (94)
    • Judy Garland
    • Vincente Minnelli
    • Romance
  5. Summaries. In 1945, during a 48-hour leave, a soldier accidentally meets a girl at Pennsylvania Station and spends his leave with her, eventually falling in love with the lovely New Yorker. Soldier Joe Allen is on a two-day leave in New York, and there he meets Alice. She agrees to show him the sights and they spend the day together.

  6. Trailer to 1945's "The Clock" starring Judy Garland and Robert Walker

    • Apr 2, 2013
    • 46.1K
    • TheJudyRoomVideos
  7. Jun 10, 2022 · “The Clock” is a movie of the social construction of private life, of love and loss, of sex and death—of ineffable beauty and its inexorable connection to horror. Its vision of the cinema as ...

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