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  1. The Devil is a Woman

    The Devil is a Woman

    R1974 · Drama · 1h 45m

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  1. The Devil Is a Woman is a 1935 American romance film directed and photographed by Josef von Sternberg, adapted from the 1898 novel La Femme et le pantin by Pierre Louÿs. The film was based on a screenplay by John Dos Passos , and stars Marlene Dietrich , Lionel Atwill , Cesar Romero , Edward Everett Horton , and Alison Skipworth .

    • Josef von Sternberg
    • March 15, 1935
  2. The Devil Is a Woman: Directed by Josef von Sternberg. With Marlene Dietrich, Lionel Atwill, Edward Everett Horton, Alison Skipworth. A young man is warned by a captain about a temptress; nonetheless, he finds himself falling in love with her.

    • (3.9K)
    • Josef Von Sternberg
    • Approved
  3. The Devil Is a Woman: Directed by Alberto Lattuada. With Kerima, Ettore Manni, May Britt, Mario Passante. A woman in her thirties is a single mother of a teenager daughter, and both are in love with the same young soldier.

    • (72)
    • Drama
    • Alberto Lattuada
    • 1954-11-15
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  5. Devil Is A Woman, The (1936) -- (Movie Clip) Better Take Two Spanish policeman and spurned lover Pasqual (Lionel Atwill) recounts to Antonio (Cesar Romero) his second meeting with Concha (Marlene Dietrich), at work in a cigarette factory, in Josef von Sternberg's The Devil Is A Woman, 1936.

  6. Rated 4.5/5 Stars • Rated 4.5 out of 5 stars 02/13/23 Full Review Audience Member The Devil Is a Woman has the wicked distinction of being both directed and photographed by von Sternberg. The ...

    • (42)
    • Marlene Dietrich
    • Josef Von Sternberg
    • Drama
  7. Writer. Oran Schee. Writer. In the carnival in Spain in the beginning of the Twentieth Century, the exiled republican Antonio Galvan comes from Paris masquerade to enjoy the party and visit his friend Capt. Don Pasqual 'Pasqualito' Costelar. However, he flirts with the mysterious Concha Perez and they schedule to meet each other later.

  8. The Devil Is a Woman presents an illusionary world, filled with irony, mockery, androgyny, and a certain amount of implied decadence. As is true of all his films with Dietrich, it is somewhat of a von Sternberg autobiography, with Atwill, a von Sternberg look-alike, playing the character who is toyed with by Concha.

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