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  2. The Good, the Bad and the Ugly

    The Good, the Bad and the Ugly

    M1966 · Western · 2h 41m

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  1. The Good, the Bad and the Ugly is the last film in the Dollars Trilogy, and thus, does not have an official sequel. However, screenwriter Luciano Vincenzoni stated on numerous occasions that he had written a treatment for a sequel, tentatively titled Il buono, il brutto, il cattivo n. 2 (The Good, the Bad and the Ugly 2). According to ...

  2. A classic western film by Sergio Leone starring Clint Eastwood, Eli Wallach and Lee Van Cleef. Find out the plot, cast, trivia, reviews, awards and more on IMDb.

    • (791K)
    • Adventure, Western
    • Sergio Leone
    • 1967-12-29
  3. Synopsis. In a desolate ghost town during the American Civil War, bandit Tuco Ramirez ("The Ugly," Eli Wallach) narrowly shoots his way past three bounty hunters to freedom, killing two but only badly wounding the third. Miles away, Angel Eyes ("The Bad," Lee Van Cleef) interrogates a former soldier called Stevens (Antonio Casas) about a ...

  4. A classic spaghetti western starring Clint Eastwood, Eli Wallach and Lee Van Cleef. Read critic reviews, see photos, watch the trailer and find out where to stream or rent this 1967 masterpiece.

    • (75)
    • Sergio Leone
    • R
    • Clint Eastwood
  5. Jan 10, 2021 · In the Southwest during the Civil War, a mysterious stranger, Joe (Clint Eastwood), and a Mexican outlaw, Tuco (Eli Wallach), form an uneasy partnership -- J...

    • Jan 10, 2021
    • 1.2M
    • MGM
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  7. A classic spaghetti Western film by Sergio Leone, starring Clint Eastwood as the Man With No Name, a desperado who joins forces with two other outlaws to find a fortune in gold. Ebert praises the film's style, suspense, and performances, and compares it to the original Westerns of John Ford.

  8. The Good, the Bad and the Ugly is the third and most accomplished of the Dollars trilogy; Sergio Leone created his film on an epic scale, and it stands today as one of the greatest westerns made. The increased budget allowed for scenes of war on a massive scale, and the film serves as a condemnation of the futility of war, summed up by Eastwood ...

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